A work in constant progress (and occasional regress).
Release Date:
July 20, 2018
Original Title:
A Boy’s Life
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 8
Originally cast as the second part of a six-part feature Panic Bodies (1998), the original 16mm negatives were rescued courtesy of the Cinematheque Quebecoise, then rescanned, recut, and reimagined. They were shot in 1996, the year the AIDS cocktail arrived. It’s not uncommon during illness to experience one’s body grow as large as the world, here the body is figure and ground, friend and enemy, projection surface fragments, memory machine. I asked the excellent performance artist Ed Johnson if he could come by and perform in this psychodrama of loss and longing.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.