A work in constant progress (and occasional regress).
Release Date:
December 1, 2022
Original Title:
Daljne njive
Genres:
Comedy | Drama | Family
Production Companies:
RTV Slovenija
Slovenski filmski center (SFC)
UL AGRFT
Viba film
Production Countries:
Slovenia
Ratings / Certifications:
N/A
Runtime: 17
Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.
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Animal Coordinator:
Mia Zahariaš
Animal Wrangler:
Tina Šolar
Art Department Assistant:
Neža Dali Novak
Assistant Camera:
Maja Krvina
Assistant Director:
Katja Predan
Boom Operator:
Zoran Grabarac
Catering:
Gatering - Gašper Hočevar
Color Grading:
Tadej Vintar
Costume Assistant:
Zala Žagar
Costume Design:
Claudi Sovrč Mikelj
Data Wrangler:
Nik Jevšnik
Director:
Filip Jembrih
Director of Photography:
Tadej Vintar
Editor:
Neža Tretnjak
Electrician:
Andraž Jerič
Maja Stojš
Domen Lušin
Focus Puller:
Reni Babič
Gaffer:
Rok Kajzer Nagode
Graphic Designer:
Lenart Merlin
Katja Komatar
Grip:
Klemen Romih
Tin Silvaši Meštrović
Goran Veselinović
Goran Popovič
Alen Rivić
Dobrica Uglješić
Key Grip:
Niko Zavadlav
Makeup Department Head:
Mirela Brkić
Music:
Lenart Merlin
Producer:
Ana Kovačič
Eva Kučera Šmon
Production Assistant:
Juca Bonaca
Production Design:
Iris Čeh
Script Supervisor:
Tonja Bjelčevič
Sound Designer:
Miha Rudolf
Sound Recordist:
Igor Iskra
Darko Gagula
Still Photographer:
Tara Caruso Bizjak
Storyboard Artist:
Marija Maja Klun
Translator:
Vita Žnidarič Štader
Writer:
Ela Božič
Filip Jembrih
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.