A work in constant progress (and occasional regress).
Release Date:
June 15, 2023
Original Title:
Genau wie früher
Alternate Titles:
Comme avant
Out of Vaihingen
Genres:
Drama
Production Companies:
ARTE
Filmakademie Baden-Württemberg
SWR
Südwestfunk
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 20
Kilian, 24, went to study in Berlin. Back in Vaihingen, his hometown, for a weekend, he bumps into his two high school friends, Lorenz and Sommer. A reunion with a bittersweet taste...
Assistant Costume Designer:
Lisa Schied
Assistant Production Design:
Fortuna Iervolino
Assistant Production Manager:
Tobias Meßenzehl
Elisa Morrissey
Assistant Set Decoration:
Lorenz Huml
Best Boy Electric:
Matvey Fridman
Boom Operator:
Tim Hartrick
Jan Weidenfeller
Camera Car:
Philipp Knopf
Colorist:
Maxime Demartin
Continuity:
Manuel Endraß
Costume Designer:
Maja Pesa
Digital Imaging Technician:
Nils Heubach
Director:
Josia Brezing
Director of Photography:
Paul Sonntag
Editor:
Maximilian Färber
Andrea Grumbt
Electrician:
Jelin Nichele
Benjamin Mergl
Fight Choreographer:
Ferdinand Fischer
First Assistant Camera:
Leon Golz
First Assistant Director:
Johny Venegas
Gaffer:
Clara Tille Berger
Markus Ott
Grip:
Hanno Mertin
Health and Safety:
Marisa Möhrke
Lighting Technician:
Jelin Nichele
Benjamin Mergl
Makeup Artist:
Anna Poser
Music:
Peter Albrecht
Post Production Assistant:
Tim Brandenburger
Producer:
Maximilian Köhler
Production Designer:
Erhard Jenei
Production Sound Mixer:
Onur Bilmen
Rigging Grip:
Hagen Raeder
Scenario Writer:
Adrian Schwarze
Second Assistant Camera:
Jakob Hipp
Second Assistant Director:
Elisa Morrissey
Set Runner:
Caroline Klatt
Deborah Kropp
Set Supervisor:
Carolin Scheder
Sound Designer:
Nils Plambeck
Stunt Coordinator:
Ferdinand Fischer
Title Designer:
Luca Egger
Unit Manager:
Isabella Müller de Paula
Video Assist Operator:
Nils Heubach
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.