A work in constant progress (and occasional regress).
Release Date:
May 14, 2024
Original Title:
Le Deuxième acte
Alternate Titles:
Le Deuxième Acte
À notre beau métier
Второй акт
拍三小電影
敬我们美丽的职业
Genres:
Comedy
Production Companies:
ARTE France Cinéma
Chi-Fou-Mi Productions
Production Countries:
France
Ratings / Certifications:
FR: TP LT: N-13 RU: 18+
Runtime: 80
Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.
Art Direction:
Joan Le Boru
Boom Operator:
Corentin Massiot
Casting:
Marine Albert
Co-Producer:
Olivier Père
Costume Design:
Justine Pearce
Data Management Technician:
Léo Pouliquen
Dialogue Editor:
Antoine Citrinot
Selıa Çakir
Digital Imaging Technician:
Milan Evrard
Director:
Quentin Dupieux
Director of Photography:
Quentin Dupieux
First Assistant Camera:
Thomas Caselli
Lucie Colombié
First Assistant Director:
Rémi Bouvier
Foley Artist:
Gadou Naudin
Foley Mixer:
Louis Naudin
Gaffer:
Renaud Garnier
Graphic Designer:
Frédéric Cambon
Grip:
Marie Anouke Cougnon Vilain
Aymé Dominguez
Charles Lagorce
Kevin Strauch
Hairstylist:
Aude Cogrel
Key Grip:
Jérémy Stone
Key Hair Stylist:
Margo Rousse Malpat
Key Makeup Artist:
Sophie Benaiche
Location Manager:
Benjamin Vasseur
Makeup Artist:
Olivier Afonso
Producer:
Hugo Sélignac
Property Master:
Simon Tric
Second Assistant Camera:
Louise Hartvick
Ugo Villion
Second Assistant Director:
Ornella Alagna
Sound:
Guillaume Le Braz
Sound Editor:
Charles de Ville
Alexis Place
Special Effects Makeup Artist:
Olivier Afonso
Marison De
Antoine Delannoy
Third Assistant Director:
Bastien Chaboche
Writer:
Quentin Dupieux
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.