A work in constant progress (and occasional regress).
Release Date:
July 19, 2023
Original Title:
Samo kad se smijem
Alternate Titles:
Samo kad se smijem
Genres:
Drama
Production Companies:
Biberche
MaXima film
Production Countries:
Croatia | Serbia
Ratings / Certifications:
N/A
Runtime: 73
Tina (28) lives in what appears to be an idyllic marriage in town on the Adriatic coast. She is a housewife who takes care of their six-year-old daughter, while her husband Frane (32) provides for the family. Their relationship begins to change when Tina expresses her desire to complete the college education she had to abandon due to pregnancy. Despite initially consenting and supporting her, Frane starts showing disapproval, initially through minor acts of sabotage. Over time, conflicts become more frequent, and arguments turn increasingly violent.
Assistant Makeup Artist:
Aleksandar Mitić
Boom Operator:
Ognjen Obradović
Cinematography:
Danko Vučinović
Colorist:
Filip Tot
Continuity:
Nina Memiš
Costume Assistant:
Vesna Librić
Costumer:
Lidija Sertić
Digital Imaging Technician:
Marko Dalić
Director:
Vanja Juranić
Driver:
Dorijan Jovanović
Tihomir Grbac
Zvonko Butina
Damir Recher
Editor:
Vanja Juranić
First Assistant Camera:
Dinko Rupčić
Gaffer:
Filip Beatović
Key Grip:
Frano Marsic
Lighting Technician:
Robert Kunetić
Marko Teresak
Line Producer:
Hrvoje Habeković
Ana Grbac
Location Manager:
Šimun Kuliš
Žarko Ivković
Makeup Designer:
Jasmina Lilić
Music:
Janja Lončar
Producer:
Nikola Vučetić
Damir Terešak
Production Design:
Tanja Čanić Stanković
Second Assistant Camera:
Ante Delač
Nikola Klacinski
Sound Designer:
Ivan Zelić
Sound Mixer:
Zoran Maksimović
Still Photographer:
Domagoj Doko
Visual Effects Art Director:
Krsto Jaram
Wardrobe Designer:
Zvjezdana Popović
Writer:
Vanja Juranić
Elma Tataragić
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.