A work in constant progress (and occasional regress).
Release Date:
May 7, 2012
Original Title:
The Rise & Fall of a White Collar Hooligan
Alternate Titles:
Blue Collar Hooligan
Genres:
Crime | Thriller
Production Companies:
Chata Pictures
Press On Features
Silver Town Films
Sir Dark Knight Productions
Templeheart Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 GB: 18 UM: R US: R
Runtime: 79
Casual football hooligan Mike Jacobs is going nowhere in life when he meets old friend Eddie Hill at a football match that turns nasty off the pitch. Under Eddie’s tutelage he soon finds himself inducted into the world of credit card fraud, where organised gangs withdraw hundreds of thousands of pounds from cash machines every night. As Mike becomes seduced by the money and women that come with his new lifestyle, the dangers increase and he soon finds events spiralling beyond his control.
Additional Camera:
Fiona Bavinton
Art Department Assistant:
Rai Pigott
Damien McPhillips
Camera Operator:
Luke Oliver
Co-Editor:
Andi Sloss
Dialogue Editor:
Tom Turner
Mark Apicella
Director:
Paul Tanter
Director of Photography:
Haider Zafar
Editor:
Richard Colton
Electrician:
John Malaney
Extras Casting:
Johnny Lynch
Extras Casting Assistant:
Jamie Edgerton
First Assistant Director:
Clare Cahill
Gaffer:
Tim Murphy
Grip:
Edgar Rivera Díaz
Makeup Artist:
Sam Maxwell
Makeup Designer:
Agnieszka Kukułka
Producer:
Jonathan Sothcott
Alain Wildberger
Blade Angel
Patricia Rybarczyk
Paul Tanter
Production Design:
Felix Coles
Production Sound Mixer:
Tom Harburt
Sound Effects Editor:
Tom Vandyk
Sound Re-Recording Mixer:
John York
Sound Recordist:
Tom Ward
Special Effects Supervisor:
Matthew Strange
Still Photographer:
Demon Lee
Aimee Spinks
Story:
Raheel Riaz
Supervising Sound Editor:
John York
Writer:
Paul Tanter
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.