A work in constant progress (and occasional regress).
Release Date:
September 29, 2024
Original Title:
Un monde merveilleux
Alternate Titles:
Robot T-O
Genres:
Comedy | Drama
Production Companies:
Marianne Productions
TS Productions
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 78
In a near future, Max and her daughter are selling stolen robots on the black market. When Max loses custody of her daughter following their latest scheme, she must rely on the last robot she took, T-O, who is ready to do anything to help.
Administration:
Antoine Lepetit
Assistant Director Trainee:
Mathilde Ermeneux
Assistant Editor:
Martin Delamare
Assistant Location Manager:
Jean-Baptiste Roger
Assistant Production Design:
Sarah Berthet-Nivon
Assistant Production Manager:
Marion Durin
Best Boy Electric:
Angèle Laroche
Boom Operator:
Nina Maini
Casting:
Marine Albert
Casting Associate:
Marine Richard
Costume Assistant:
Zoé Amsterdam
Costume Design:
Anne-Sophie Gledhill
Director:
Giulio Callegari
Director of Photography:
Aurélien Marra
Editor:
Baptiste Ribrault
Electrician:
Thibault Bru
Nicolas Premoli
Fight Choreographer:
Michel Carliez
First Assistant Director:
Moritz Parisius
Foley Artist:
Patrick Egreteau
Gaffer:
Rémy Barbot
Key Costumer:
Marion Viel
Location Manager:
Jerome Pinot
Location Scout:
Yann Le Borgne
Producer:
Alice Bloch
Production Design:
Anne-Sophie Delseries
Production Manager:
Julien Auer
Property Buyer:
Armelle Rabaté
Property Master:
Julien Sellam
Script Supervisor:
Manon Verdeil
Second Assistant Director:
Tom Cucuel
Sound Editor:
Agathe Poche
Sound Mixer:
Guillaume Valeix
Sound Re-Recording Mixer:
Clément Laforce
Stunt Coordinator:
Michel Carliez
Stunt Double:
Audrey Golay
Writer:
Giulio Callegari
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.