A work in constant progress (and occasional regress).
Release Date:
November 24, 2023
Original Title:
W nich cała nadzieja
Genres:
Drama | Science Fiction
Production Companies:
K&K Film Selekt
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 88
In the post-apocalyptic reality, Ewa not only fights for survival, but also struggles with acute loneliness. The real drama begins when, through the absurd situation she enters a conflict with her only companion - a machine.
3D Generalist:
Tomasz Mucha
Piotr Staszkiewicz
Łukasz Kmak
Norbert Świerczek
Rafał Fita
Administration:
Barbara Brycka
Anna Janowska
Camera Operator:
Arkadiusz Krzemiński
Compositing Artist:
Pawel Rosiak
Kirill Stashkevich
Fernando Policarpo
Daniel Wrona
Aliaksandr Shukanau
Compositing Lead:
Filip Molski
Costume Design:
Dzvinka Kukul
Magdalena Tarka
Digital Intermediate:
Cezary Grzesiuk jr
Director:
Piotr Biedroń
Director of Photography:
Tomasz Wójcik
Editor:
Marceli Majer
Executive Producer:
Leszek Iwaniuk
Grip:
January Jarnot
Maciej Jarnot
Zbigniew Mierzwiński
Interior Designer:
Andrzej Górnisiewicz
Makeup & Hair:
Julia Hebel
Monika Wróbel
Anna Szybalska
Master Lighting Artist:
Jan Biały
Music Consultant:
Agnieszka Putkiewicz
Zbigniew Zbrowski
Original Music Composer:
Łukasz Pieprzyk
Producer:
Beata Pisula
Production Coordinator:
Beata Pisula
Leszek Iwaniuk
Production Design:
Marek Zawierucha
Props:
Bartłomiej Sikorski
Filip Graliński
Rotoscoping Artist:
Sebastian Czapski
Robert Jaczewski
Nitaj Fuśnik
Kamil Koczot
Kornel Kondzielski
Jacek Kręcicki
Jakub Mierzejewski
Paweł Rytka
Wiktor Szukalski
Bartosz Żebrowski
Script:
Nadia Dukielska
Magdalena Cwajna
Sound:
Bart Putkiewicz
Natalia Sikorska
Sound Editor:
Bart Putkiewicz
Natalia Sikorska
Katarzyna Kowalczyk
Olga Zalewska
Steadicam Operator:
Arkadiusz Krzemiński
Still Photographer:
Wiktor Obrok
Stunt Coordinator:
Zbigniew Modej
Stunts:
Veronika Kopchak
Jakub Niewęgłowski
VFX Supervisor:
Krzysztof Hrycak
Writer:
Piotr Biedroń
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.