A work in constant progress (and occasional regress).
Release Date:
October 20, 2023
Original Title:
Figurant
Genres:
Drama | History
Production Companies:
Krakowskie Biuro Festiwalowe
Telewizja Polska
Wytwórnia Filmów Dokumentalnych i Fabularnych
Production Countries:
Poland
Ratings / Certifications:
DE: 16
Runtime: 113
Budny, a secret service officer, secretly surveils Bishop Karol Wojtyla for 20 years. An unreciprocated bond forms between Budny and the unaware Wojtyla, leading to an obsessive, pathological relationship from Budny's perspective.
Administration:
Anna Siemieniuk
Anna Podkańska
Archival Footage Research:
Jędrzej Barcikowski
Assistant Costume Designer:
Katarzyna Szczepańska
Assistant Director:
Tomasz Nowak
Agnieszka Cichocka
Zuzanna Karpińska
Assistant Production Manager:
Ewa Kuzawińska
Kacper Wanat
Szymon Makuch
Assistant Property Master:
Michał Sieluk
Assistant Script:
Anna Berent
Camera Operator:
Andrzej Woźniakiewicz
Paweł Grabarek
David Bajerski
Szczepan Lewandowski
Roman Lewandowski
Casting Director:
Krzysztof Łączak
Catering:
Violetta Adamus
Beata Matusik
Milena Gwara
Elżbieta Kolaska
Krzysztof Adamus
Mariusz Kowalski
Jacek Karliński
Compositing Artist:
Mariusz Dąbrowski
Łukasz Remiś
Krzysztof Masztakowski
Trendafil Kirilov
Conductor:
Mikołaj Blajda
Costume Design:
Elżbieta Radke
Zuzanna Glińska
Costume Designer:
Elżbieta Radke
Zuzanna Glińska
Dialogue Editor:
Krzysztof Jastrząb
Director:
Robert Gliński
Director of Photography:
Adam Bajerski
Editor:
Krzysztof Szpetmański
Focus Puller:
Filip Baczuń
Piotr Matuszewski
Health and Safety:
Wojciech Konkol
Interior Designer:
Anna Niemira
Makeup Department Head:
Agnieszka Jońca
Monika Czyż
Master Lighting Artist:
Paweł Cichocki
Music:
Zygmunt Konieczny
Music Consultant:
Katarzyna Figat
Dorota Suske
Małgorzata Przedpełska-Bieniek
Mariola Łyczewska
Music Editor:
Katarzyna Figat
Rafał Paczkowski
Katarzyna Kolecka
Musician:
Szymon Naściszewski
Leszek Wiśniowski
Producer:
Włodzimierz Niderhaus
Zbigniew Domagalski
Production Coordinator:
Barbara Dziamska
Anna Ostalska
Production Design:
Ryszard Melliwa
Production Manager:
Leszek Pieszko
Production Supervisor:
Agnieszka Bedkowska
Props:
Marcin Borowiec
Pyrotechnic Supervisor:
Janusz Bykowski
Pyrotechnician:
Tomasz Bykowski
Witold Wajcht
Jacek Śmierzyński
Jacek Bykowski
Script:
Danuta Malipan
Second Unit Director of Photography:
David Bajerski
Sound:
Krzysztof Jastrząb
Sound Effects:
Aleksandra Pająk
Steadicam Operator:
Aleksander Galicki
Still Photographer:
Marcin Makowski
Stunt Coordinator:
Ewelina Modej
Zbigniew Modej
Stunts:
Dariusz Bajkowski
Andrzej Blacha
Jakub Niewęgłowski
Mirosław Pisarek
Paweł Grzybczyk
Marcin Drabicki
Filip Gruszczyński
Jakub Kazikowski
Katarzyna Soroczyńska
Waldemar Gaweł
Mateusz Nawrot
Małgorzata Ptaszyńska
Sergiusz Wolak
Agnieszka Pawłowska
Sebastian Pietraszek
Maciej Kwiatkowski
Dariusz Nowak
Izabela Włosek
Małgorzata Potocka
Paweł Kowalski
Marcin Popek
Józef Stefański
Paweł Wasilewski
Michał Stefański
Supervising Producer:
Patryk Peridis
Anna Kulawik-Rzońca
VFX Supervisor:
Mariusz Dąbrowski
Rafał Kucharczuk
Krzysztof Masztakowski
Vehicles Coordinator:
Krzysztof Skonieczny
Writer:
Andrzej Gołda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.