A work in constant progress (and occasional regress).
Release Date:
March 8, 2024
Original Title:
Tyle co nic
Genres:
Drama
Production Companies:
Canal+
Centrum Edukacji i Inicjatyw w Olsztynie
Stowarzyszenie Filmowców Polskich
Studio Munka
Warmińsko-Mazurski Fundusz Filmowy
Production Countries:
Poland
Ratings / Certifications:
PL: 16
Runtime: 93
A group of farmers organizes a protest in front of the house of an MP who, contrary to earlier promises, voted against their interests. In the manure they dump, human remains are found.
Administration:
Agnieszka Surma
Assistant Costume Designer:
Jan Gronkiewicz
Assistant Director:
Kuba Januszewski
Assistant Makeup Artist:
Alicja Zielinska
Assistant Production Manager:
Ryszard Brumowski
Martyna Kacprzak
Camera Operator:
Nicolás Villegas
Aleksander Pozdnyakov
Casting Director:
Grzegorz Dębowski
Agnieszka Skalska
Costume Design:
Agata Wińska
Creative Producer:
Katarzyna Malinowska
Dialogue Editor:
Michał Kosterkiewicz jr
Director:
Grzegorz Dębowski
Director of Photography:
Aleksander Pozdnyakov
Editor:
Anna Garncarczyk
Grip:
Maciej Jarnot
Makeup Department Head:
Aleksandra Dutkiewicz
Master Lighting Artist:
Przemysław Sosnowski
Music Consultant:
Marcin Wawruk
Aneta Brykalska
Post Production Coordinator:
Agnieszka Skalska
Producer:
Jerzy Kapuściński
Jacek Bromski
Ewa Jastrzębska
Production Design:
Maja Pawlikowska
Production Manager:
Agnieszka Skalska
Props:
Łukasz Wandachowicz
Public Relations:
Aleksandra Różdżyńska
Rafał Pawłowski
Script:
Marek Głuszczak
Second Unit Director:
Julia Kolberger
Sound:
Przemysław Dzięgiel
Katarzyna Szczerba
Sound Designer:
Anna Garncarczyk
Sound Director:
Katarzyna Szczerba
Still Photographer:
Bartłomiej Pulcyn
Stunt Coordinator:
Tomasz Lewandowski
Stunts:
Tomasz Lewandowski
Paweł Jabłoński
Marcin Drabicki
Translator:
Paweł Włochacz
Writer:
Grzegorz Dębowski
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.