A work in constant progress (and occasional regress).
Release Date:
February 28, 1986
Original Title:
Pretty in Pink
Alternate Titles:
Lijepa u ružičastome
Rose Bonbon
Szépség rózsaszínben
Щастлива в розово
プリティ・イン・ピンク 恋人たちの街角
Genres:
Comedy | Drama | Romance
Production Companies:
Hughes Entertainment
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L DE: 12 DK: 15 ES: APTA FI: K-12 GB: 15 GR: 12 IE: 15 JP: G US: PG-13
Runtime: 97
Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.
ADR Editor:
George Berndt
Additional Grip:
Mike Brooker
Joseph Graham
Assistant Chief Lighting Technician:
William A. Lowman
Ed Reilly
Assistant Editor:
Pamela J. Yuen
Assistant Property Master:
Frank L. Brown
Associate Editor:
Jane Schwartz Jaffe
Associate Producer:
Jane Vickerilla
Boom Operator:
Donald A. Bolger
Cableman:
Charles J. Bond
Camera Operator:
Jack N. Green
Casting:
Marci Liroff
Paula Herold
Casting Assistant:
Dorian Dunas
Catering:
Anthony Kerum
Chief Lighting Technician:
Melton C. Maxwell
Choreographer:
Kenny Ortega
Color Timer:
Bob Noland
Construction Foreman:
Jeff Passanante
Costume Designer:
Marilyn Vance
Costume Supervisor:
Donna Roberts
Michael W. Hoffman
Craft Service:
Art 'Klondike' Jones
Director:
Howard Deutch
Director of Photography:
Tak Fujimoto
Dolly Grip:
Daniel Jiménez
Editor:
Richard Marks
Executive Producer:
John Hughes
Michael Chinich
First Assistant Camera:
Conrad W. Hall
First Assistant Director:
Stephen Lim
First Company Grip:
John T. Ramsey
Hairstylist:
Paul Abascal
In Memory Of:
Alexa Kenin
Bruce Weintraub
Leadman:
John Rozman
Lighting Technician:
Gary Scalzo
Jack E. McLean Jr.
Chuck Sharp
Location Manager:
Charles Newirth
Makeup Artist:
Tommy Cole
Music Supervision Assistant:
Ellen Vogt
Music Supervisor:
David Anderle
Orchestrator:
Leon Pendarvis
Original Music Composer:
Michael Gore
Painter:
Gerald Gates Jr.
Producer:
Lauren Shuler Donner
Producer's Assistant:
William Kolber
Production Assistant:
Ronald W. Payne
Matthew Freeman
Production Design:
John W. Corso
Production Illustrator:
Paul S. Power
Property Master:
Arthur Shippee
Scoring Mixer:
Joel Moss
Script Supervisor:
Pamela Alch
Second Assistant Camera:
P. Scott Sakamoto
Second Assistant Director:
Carol Green
Second Company Grip:
Tim Staubs
Steve Sibenick
Set Costumer:
Julene McKinney
Darryl M. Athons
Set Decoration:
Jennifer Polito
Bruce Weintraub
Set Designer:
Louis M. Mann
Sound Effects Editor:
George H. Anderson
Dennis Drummond
Linda Whittlesey
Sound Mixer:
C. Darin Knight
Sound Re-Recording Mixer:
Mel Metcalfe
Gary C. Bourgeois
Chris Carpenter
Sound Recordist:
Jeffrey A. Humphreys
Still Photographer:
Laurel Moore
Studio Teacher:
Irene Brafstein
Stunt Coordinator:
Dick Hancock
Stunts:
Erik Cord
Pat Romano
John S. Platt
Supervising Music Editor:
Richard Stone
Supervising Sound Effects Editor:
Robert Grieve
Swing:
Gordon Hackman
Don Schlicher
Eugene Triol
Craig Staley
Theme Song Performance:
Roger Morris
John Ashton
Duncan Kilburn
Vince Ely
Tim Butler
Richard Butler
Title Designer:
Wayne Fitzgerald
Transportation Captain:
Gaston Veilleux
Transportation Co-Captain:
Rick Valencia
Transportation Coordinator:
Sam Edelman
Unit Production Manager:
Arne Schmidt
Unit Publicist:
Steven Jay Rubin
Visual Effects:
John Frazier
Writer:
John Hughes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.