A work in constant progress (and occasional regress).
Release Date:
January 1, 1981
Original Title:
Stainless Steel and the Star Spies
Genres:
Comedy | Family | Science Fiction | TV Movie
Production Companies:
Euston Films
Thames Television
Production Countries:
United Kingdom
Ratings / Certifications:
GB: U
Runtime: 50
The Metaliens, alien robots intent on galactic domination, encounter a major setback. Their enormous Space Saucer, 'Compromise', enters a black hole in a strange, uncharted region of Space, and collides with another craft – sending the Kleptonite Ball, their precious cargo and the key to Universal Conquest, hurtling to a planet inhabited by primitive life forms: Earth. Having materialised in a bar, the Ball variously functions as a Christmas tree decoration, a bathroom ornament, and a fortune-teller's prop. The Metaliens must retrieve the Kleptonite Ball if their mission is ever to succeed. And that's when their problems really begin…
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ADR Editor:
Peter Pennell
Assistant Director:
Adrian Rawle
Camera Operator:
Trevor Coop
Casting Director:
Marilyn Johnson
Conductor:
Denis King
Construction Manager:
Tony Kerr
Continuity:
Alison Thorne
Director:
Anthony Simmons
Director of Photography:
Freddie Young
Editor:
Peter Boyle
Executive In Charge Of Production:
Johnny Goodman
Executive Producer:
Verity Lambert
Focus Puller:
Peter Biddle
Music:
Denis King
Other:
Brian King
Producer:
Ray Corbett
Production Assistant:
Lorraine Goodman
Production Design:
Peter Richardson
Property Master:
Chris Jefferies
Script Coordinator:
Linda Agran
Second Unit Cinematographer:
Ken Worringham
Mike Fox
Second Unit Director:
Peter Richardson
Sound:
Don Brown
Sound Assistant:
Steve O'Brien
Adam Samuelson
Story:
Ray Corbett
Gray Jolliffe
Peter Richardson
Unit Publicist:
Sally Croft
Writer:
Gray Jolliffe
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.