A work in constant progress (and occasional regress).
Release Date:
December 5, 2024
Original Title:
Al otro barrio
Genres:
Comedy
Production Companies:
Mediaset España
Mogambo Films
Movistar Plus+
Telecinco Cinema
Zeta Studios
Production Countries:
Spain
Ratings / Certifications:
ES: 12
Cheating the tax man was just too tempting for Andrés. Besides, what are the chances of him getting caught? Well, as it turns out, pretty high! And that’s exactly what happens when a couple of tax inspectors turn up at his company to inform him that he owes the IRS a lot of money.
Best Boy Electrician:
Héctor Perotas
Camera Operator:
Eduardo Martínez Guirles
Casting Director:
Rosa Estévez
Costume Design:
Natacha Fernández Gallardo
Delegated Producer:
Mar Ilundain
Teresa de Rosendo
Director:
Mar Olid
Director of Photography:
Sergi Gallardo
Editor:
Ángel Hernández Zoido
Executive Producer:
Mónica Iturriaga
Miriam Rodríguez
First Assistant Director:
Julio Montejo
Gaffer:
Daniel Parrilla
Key Grip:
Iván Sequeira
Makeup & Hair:
Eva Fontenla
Music:
Vanessa Garde Luque
Music Supervisor:
Juan Ibáñez
Original Film Writer:
Khaled Amara
Mohamed Hamidi
Michaël Souhaité
Post Production Supervisor:
Sandra García Velasco
Beatriz Gómez Montero
Producer:
Ghislain Barrois
Álvaro Augustin
Antonio Asensio Mosbah
Paloma Molina
Production Design:
Juana Mula
Production Director:
Maruca Carmona
Production Manager:
Mario Álvarez
Screenplay:
Daniel Monedero
Francisco Arnal
Second Unit Director of Photography:
Miguel P. Gilaberte
Sound Designer:
Miriam Lisón
Sound Mixer:
Nicolás de Poulpiquet
Sound Recordist:
Iván Marín
Special Effects Supervisor:
Raúl Romanillos
Stunt Coordinator:
Ignacio Carreño
Diego Herberg
Stunt Double:
Juan José Luembe
Daniel Bargueño
Stunts:
Luis Cros
Héctor Vaquero
Enrique Inchausti
Daniel Bargueño
Daniel Algara
Title Designer:
Eva Pérez de León
Visual Effects Supervisor:
Miriam Piquer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.