A work in constant progress (and occasional regress).
Release Date:
January 9, 2001
Original Title:
A Colder Kind of Death
Alternate Titles:
Criminal Instinct: A Colder Kind of Death
Genres:
Crime | TV Movie
Production Companies:
Canadian Television (CTV)
Carlton America
Shaftesbury Films
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 90
Ex-detective Joanne Kilbourn now works as a university lecturer and a "law and order" commentator for the local news. She is reminded of the reason why she left the force when the six-year-old case file on her husband's murder is reopened and a suspect, Kevin Tarpley, is arrested. Kevin denies being the killer but does seem to have insider information about Ian's death; unfortunately, Kevin is gunned down in the street soon after his arrest. When Joanne is confronted by Kevin's mysterious wife, Maureen Gault, at a party in front of all of Ian's old politician friends, she begins investigating. Soon, she finds herself the chief suspect in a murder, and she also discovers that Ian's old friends aren't exactly friends to her. This film is the fourth in a series featuring Joanne Kilbourn; it resolves the murder of her husband and her longstanding flirtatious relationship with her ex-partner, Millard.
Co-Producer:
Scott Garvie
Costume Design:
Linda Muir
Director:
Brad Turner
Director of Photography:
Nikos Evdemon
Editor:
Ralph Brunjes
Executive Producer:
Gary Goldberger
First Assistant Director:
Linda Pope
Gaffer:
Roger Bate
Music:
Amin Bhatia
Novel:
Gail Bowen
Producer:
Christina Jennings
Production Design:
Sandra Kybartas
Set Decoration:
Ken Sinclair
Special Effects Coordinator:
Brock Jolliffe
Stunt Coordinator:
Shelley Cook
Rick Forsayeth
John Stoneham Jr.
Stunt Double:
C.J. Lusby
Rick Parker
Sue Parker
Edward A. Queffelec
Bryan J. Thomas
Stunt Driver:
Regan Moore
Supervising Sound Editor:
Mark Beck
Writer:
R.B. Carney
Andrew Wreggitt
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.