A work in constant progress (and occasional regress).
Original Title:
Italian Dreams
Ratings / Certifications:
N/A
Runtime: 10
In one scene in Italian Dreams, we see a close-cropped view of Weems’s face juxtaposed with the visages of two young black women. She caresses their faces gently; a haunting melodic sound track plays. In another sequence, Weems— again dressed in black, but now in combat boots—walks through Rome’s Cinecittà. There, she meets a white man wearing a suit. He talks; she listens closely, then enfolds him in an embrace and engages in a slow, semi-erotic grind. But he is dull and stiff in her arms. It is clear Weems holds the power in this exchange; she shifts the paradigm of the seducer from male to female. From this scene she moves on, ascending staircases and wandering through corridors.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.