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Pretty Woman (1990) [R]

Release Date:
March 23, 1990

Original Title:
Pretty Woman

Alternate Titles:
Cedno dekle
Grazi moteris
Kaunis naine
Mujer bonita
Stórkostleg stúlka
Zane Ziba
Zgodna žena
Красунечка
漂亮女人
麻雀变凤凰

Genres:
Comedy | Romance

Production Companies:
Arnon Milchan Productions
Regency Enterprises
Silver Screen Partners IV
Touchstone Pictures

Production Countries:
United States of America

Ratings / Certifications:
AR: 13  AT: 14  AU: M  BR: 12  DE: 12  DK: A  ES: 12  FI: K-16  FR: 12  GB: 15  GR: 13  HU: 18  IE: 15  IS: L  IT: T  JP: PG12  KR: 18  MX: B  NL: 6  PL: 18  PT: M/14  SE: 7  SK: 12  US: R 

Runtime: 120

She walked off the street, into his life and stole his heart.

Overview from TheMovieDB

While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.

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American Film Institute (AFI)
2002
#21 		100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time

Performers

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Production

ADR Editor:
Chris Jargo

Additional Casting:
Dori Zuckerman

Aerial Camera:
Michael Kelem

Aerial Coordinator:
Robert 'Bobby Z' Zajonc

Art Direction:
David M. Haber

Assistant Camera:
Maricella Ramirez

Assistant Editor:
Craig Conwell

Assistant Location Manager:
Wally Uchida

Assistant Production Coordinator:
Elyse Katz

Assistant Property Master:
Mychael Bates

Assistant Sound Editor:
David Hagberg

Associate Producer:
Walter von Huene

Best Boy Electric:
Anthony R. Collier

Boom Operator:
Randall L. Johnson

Cableman:
Harrison D. Marsh

Camera Operator:
Philip Caplan

Casting:
Dianne Crittenden

Chief Lighting Technician:
Carl Boles

Co-Producer:
Gary W. Goldstein

Color Timer:
Ron Lambert

Conductor:
Marty Paich

Construction Coordinator:
Ken Scaife

Construction Foreman:
Donald G. Helderle

Costume Design:
Marilyn Vance

Costume Supervisor:
Daniel J. Lester

Director:
Garry Marshall

Director of Photography:
Charles Minsky

Dolly Grip:
Mike Schwake

Editor:
Priscilla Nedd-Friendly
Raja Gosnell

Executive Assistant:
Diane Frazen

Executive In Charge Of Production:
David Hoberman

Executive Producer:
Laura Ziskin

First Assistant Accountant:
Kim Wozniak

First Assistant Camera:
Tom Connole

First Assistant Director:
Ellen H. Schwartz

First Assistant Editor:
Thomas R. Bryant

Foley Artist:
Jerry Trent

Foley Mixer:
Troy Porter

Grip:
Gary C. Beaird

Hairstylist:
Carol A. O'Connell

Key Costumer:
Elinor Bardach

Key Grip:
Ben Beaird

Leadman:
Mark Woods

Location Manager:
George Herthel

Makeup Artist:
Bob Mills

Music Editor:
Ellen Segal

Orchestrator:
Brad Dechter

Original Music Composer:
James Newton Howard

Post Production Supervisor:
Angel Pine

Producer:
Arnon Milchan
Steven Reuther

Production Accountant:
Allen E. Taylor

Production Assistant:
Wendy S. Hallin

Production Coordinator:
Pat Chapman

Production Design:
Albert Brenner

Production Executive:
Mario Iscovich

Production Manager:
Roger Joseph Pugliese

Property Master:
Rick Young

Script Supervisor:
Adell Aldrich

Second Assistant Camera:
Frank Del Boccio

Second Assistant Director:
Bettiann Fishman

Second Unit Director:
Walter von Huene

Set Costumer:
Carlane Passman

Set Decoration:
Garrett Lewis

Set Designer:
Antoinette J. Gordon

Set Dressing Artist:
Gary Isbell

Set Production Assistant:
Lennie Appelquist

Sound Editor:
Robert Fitzgerald

Sound Mixer:
James E. Webb

Special Effects Coordinator:
Gary Zink

Standby Painter:
Anthony 'AJ' Leonardi Jr.

Steadicam Operator:
Randy Nolen

Still Photographer:
Ronald Batzdorff

Stunt Coordinator:
Rick Avery

Stunt Double:
Joni Avery
Rick Avery

Supervising ADR Editor:
Joseph A. Mayer

Supervising Sound Editor:
Michael Hilkene

Thanks:
Barbara Marshall

Theme Song Performance:
Roy Orbison

Title Designer:
Robert Dawson

Transportation Captain:
Tom Briggs

Transportation Coordinator:
Tom F. Thomas

Unit Publicist:
Katherine Ann Moore

Writer:
J.F. Lawton

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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