A work in constant progress (and occasional regress).
Release Date:
October 29, 1999
Original Title:
House on Haunted Hill
Alternate Titles:
Budynok na Khanted Khill
Dom nochnykh prizrakov
Haunted Hill - Evil Loves to Party
Kuća na ukletom brdu
Kŭshtata na prizrachniya khŭlm
La Casa de la Colina Encantada
La casa en la montaña embrujada
La maison de la colline hantée
Mansión diabólica
To spiti sto stoiheiomeno lofo
Genres:
Horror
Production Companies:
Dark Castle Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ DE: 16 GB: 18 HU: 18 IE: 18 KR: 19 NL: 16 PT: M/18 SE: 15 US: R
Runtime: 93
An amusement park mogul offers a random group of diverse people $1 million to spend the night in a decrepit former mental institution.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Steward Burris
ADR Mixer:
Thomas J. O'Connell
Ager/Dyer:
Carol Demarti
Art Department Assistant:
Steve Rodriguez
Art Department Production Assistant:
Brandon L. Hull
Art Direction:
Richard F. Mays
Assistant Art Director:
Clare Scarpulla
Assistant Chief Lighting Technician:
Bryce Porter
Assistant Makeup Artist:
Douglas Noe
Assistant Production Coordinator:
Gina D'Orazio
Assistant Property Master:
Héctor B. López
Associate Producer:
Ed Tapia
Best Boy Electric:
Joe Hicks
Best Boy Grip:
Steven E. Ball
Boom Operator:
George Flores
Camera Operator:
Chris Moseley
Casting:
Laura Kennedy
Casting Associate:
Kristy Carlson
Chief Lighting Technician:
Michael Laws
Co-Producer:
Terry Castle
Color Timer:
Dale E. Grahn
Compositing Supervisor:
Dorene Haver
Construction Coordinator:
Walt Hadfield
Construction Foreman:
Brian Walker
Costume Designer:
Ha Nguyen
Costume Supervisor:
Kimberly Guenther Durkin
Costumer:
Liz Donovan
Dialect Coach:
Jess Platt
Dialogue Editor:
Charles W. Ritter
Digital Compositors:
Marla Carter Barrett
Digital Effects Producer:
Richard J. Cook
Digital Effects Supervisor:
Helena Packer
Director:
William Malone
Director of Photography:
Rick Bota
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
Lonnie Stewart
Driver:
Don Haggerty
Editor:
Anthony Adler
Executive Assistant:
Kate Neumann
Executive In Charge Of Production:
Bill Draper
Executive Producer:
Steve Richards
Dan Cracchiolo
First Assistant Accountant:
Alison Rothman
First Assistant Camera:
A. Anthony Cappello
First Assistant Director:
Scott Cameron
First Assistant Editor:
Tirsa Hackshaw
First Assistant Sound Editor:
David McRell
Foley Artist:
Hilda Hodges
Foley Supervisor:
Thom Brennan
Gaffer:
Michael Laws
Grip:
Robert Ikeda
Hairstylist:
Diane Pepper
Key Grip:
Bob Muñoz
Key Hair Stylist:
Patricia Vecchio
Key Makeup Artist:
Joyce Etheridge
Leadman:
Ben Woolverton
Lighting Technician:
Scott Kidner
Loader:
Darin Miller
Location Manager:
Deborah J. Page
Makeup Artist:
David Abbott
Makeup Effects:
Howard Berger
Negative Cutter:
Barbara Riley
Orchestrator:
Bruce Babcock
Original Music Composer:
Don Davis
Painter:
Tim Stadler
Payroll Accountant:
Taffy Schweickhardt
Post Production Coordinator:
Eva Winkle
Post Production Supervisor:
Mark L. Mitchell
Producer:
Gilbert Adler
Robert Zemeckis
Joel Silver
Production Accountant:
Matt Story
Production Assistant:
Steve Rodriguez
Production Coordinator:
Paul Croghan
Production Design:
David F. Klassen
Production Secretary:
Iris Dubinsky
Production Sound Mixer:
Vince Garcia
Property Master:
Christopher Amy
Propmaker:
Steven Fidler
Screenplay:
Dick Beebe
Script Supervisor:
Mary Anne Seward
Second Assistant Camera:
Garrett Benson
Second Assistant Director:
Simone Farber
Second Assistant Sound:
Frank Long
Second Second Assistant Director:
Dinah LeHoven
Second Unit Director:
Gregg Brazzel
Senior Animator:
Christina Drahos
Set Costumer:
Janet Sobel
Set Decoration:
Lauri Gaffin
Set Dresser:
David Ladish
Set Medic:
Gloria M. Fujita
Set Production Assistant:
Chamonix Bosch
Sound Designer:
Dane A. Davis
Sound Effects Editor:
Eric Lindemann
Sound Re-Recording Mixer:
Kevin E. Carpenter
Special Effects Coordinator:
Charles Belardinelli
Special Effects Supervisor:
Thomas L. Bellissimo
Special Effects Technician:
Gary D. Bierend
Standby Painter:
Bill 'Kauhane' Hoyt
Steadicam Operator:
Stephen J. Ullman
Still Photographer:
Tom Farrar
Story:
Robb White
Stunt Coordinator:
Gregg Brazzel
Stunt Double:
Clay Donahue Fontenot
Stunts:
Shane T. Anderson
April Littlejohn
John Vitale
Frankie 'G' Garbutt
George Fisher
Rick Avery
Loren Dennis
Alisa Hensley
Wally Crowder
Mark Lonsdale
Danny Downey
Lori Crowder
Scott Leva
Kimberly Cossette
Clay Donahue Fontenot
John Edward
Yannick Derrien
Supervising Sound Editor:
Dane A. Davis
Transportation Captain:
Timothy E. Henley
Transportation Co-Captain:
Thomas M. Krigbaum
Transportation Coordinator:
Dan Henley
Underwater Director of Photography:
Jordan Klein Jr.
Unit Production Manager:
F.A. Miller
Visual Effects:
Michael Shelton
Visual Effects Editor:
Bill Black
Visual Effects Producer:
Paul Taglianetti
Visual Effects Supervisor:
Marc Kolbe
Wardrobe Supervisor:
Randall Thropp
Kimberly Guenther Durkin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.