A work in constant progress (and occasional regress).
Release Date:
December 24, 1976
Original Title:
The Eagle Has Landed
Alternate Titles:
A sas leszállt
A Águia Pousou
Ha llegado el águila
L'Aigle s'est envolé
La notte dell'aquila
Orel přistál
Orel přistává
Orzeł Wylądował
Орелът е кацнал
雄鹰突击兵团
鹰从天降
Genres:
Action | Adventure | Drama | Thriller | War
Production Companies:
Associated General Films
ITC Entertainment
Production Countries:
United Kingdom
Ratings / Certifications:
AU: PG BR: 14 DE: 16 FR: U GB: 15 GR: PG IE: 15 PT: M/12 SE: 15 US: PG
Runtime: 135
When the Nazi high command learns in late 1943 that Winston Churchill will be spending time at a country estate in Norfolk, it hatches an audacious scheme to kidnap the prime minister and spirit him to Germany for enforced negotiations with Hitler.
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Art Direction:
Charles Bishop
Assistant Director:
David C. Anderson
Casting:
Irene Lamb
Costume Design:
Yvonne Blake
Director:
John Sturges
Director of Photography:
Anthony B. Richmond
Editor:
Anne V. Coates
Location Manager:
Ray Freeborn
Makeup Artist:
Eric Allwright
Paul Rabiger
Freddie Williamson
Matte Painter:
Ray Caple
Novel:
Jack Higgins
Original Music Composer:
Lalo Schifrin
Producer:
Jack Wiener
David Niven Jr.
Production Accountant:
John Beharrell
Production Consultant:
Åke Lindman
Production Design:
Peter Murton
Production Supervisor:
Basil Rayburn
Screenplay:
Tom Mankiewicz
Second Assistant Director:
Terence Churcher
Michael Stevenson
Second Unit Director of Photography:
John Wilcox
Set Dresser:
Peter James
Sound Editor:
Jonathan Cates
Sound Mixer:
Gerry Humphreys
Sound Recordist:
Robin Gregory
Stunt Coordinator:
Gerry Crampton
Wardrobe Supervisor:
Elsa Fennell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.