A work in constant progress (and occasional regress).
Release Date:
September 7, 2001
Original Title:
The Musketeer
Alternate Titles:
Mushketer
Musketar
Musketaryat
Nt`Artanián
The Musketeer - Der junge D'Artagnan
The Musketeer - Einer für alle, alle für einen
Young Blood
Genres:
Action | Adventure | Romance
Production Companies:
ApolloMedia
Crystal Sky Worldwide
D'Artagnan Productions Limited
Film Fund Luxembourg
MDP Worldwide
Miramax
Q&Q Medien GmbH
Signature Entertainment
The Carousel Picture Company
Universal Pictures
Production Countries:
Germany | Luxembourg | United Kingdom | United States of America
Ratings / Certifications:
AU: M DE: 12 GB: PG GR: 13 NL: 9 SK: 12 US: PG-13
Runtime: 104
Young D'Artagnan seeks to join the legendary musketeer brigade and avenge his father's death - but he finds that the musketeers have been disbanded.
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3D Animator:
Derek Flood
ADR Coordinator:
Marianne Jenkins
ADR Editor:
Joe Gallagher
ADR Recordist:
Sandy Buchanan
ADR Voice Casting:
Louis Elman
Accountant:
Veronika Stalz
Action Director:
Xiong Xinxin
Additional Camera:
Olivier Servais
Additional Casting:
Illana Diamant
Additional Grip:
Tom Oversteijns
Additional Second Assistant Director:
Sabrina Curkgian
Additional Visual Effects:
Michael Brink
Animal Wrangler:
Willy Loedts
Art Direction:
Damien Lanfranchi
Keith Slote
Adele Marolf
Petra Weber
Assistant Accountant:
Franck Nicolas
Assistant Camera:
Lubomir Bakchev
Assistant Director:
Marc Jenny
Assistant Editor:
Tony Tromp
Assistant Grip:
Nunes Neto Ornei
Assistant Location Manager:
Philippe Castelain
Assistant Makeup Artist:
Katja Reinert-Alexis
Assistant Sound Editor:
Hugo Adams
Associate Producer:
Limor Diamant
Best Boy Electric:
Eric Wobma
Best Boy Grip:
Jean-François Roqueplo
Boom Operator:
Alain Goniva
Camera Operator:
Stephen S. Campanelli
Camera Technician:
Nicolas Kladakis
Carpenter:
Barry Abbot
Casting:
Caroline Mazauric
Anja Dihrberg
Penny Perry
Monique Durlacher
Celestia Fox
Casting Assistant:
Penelope Robin
Chaperone:
Catherine Amesbury
Co-Producer:
Jan Fantl
Color Timer:
John Stanborough
Colorist:
Mark Nakamine
Compositing Supervisor:
Katrin Klaiber
Conductor:
Nicholas Dodd
Construction Buyer:
Joseph Briard
Construction Coordinator:
Ken Marples
Construction Foreman:
Paddy Patterson
Costume Assistant:
Patrick Depoutot
Costume Coordinator:
Karim Kakal
Costume Design:
Raymond Hughes
Cynthia Dumont
Costume Supervisor:
Uli Simon
Dialect Coach:
Sandra Butterworth
Dialogue Editor:
Simon Price
Director:
Peter Hyams
Director of Photography:
Peter Hyams
Dresser:
Amélie Caillard
Dressing Prop:
Annett 'Gogo' Golinski
Driver:
Enrico Accetto
Editor:
Terry Rawlings
Electrician:
Jean-François Daviaud
Executive Producer:
Steven Paul
Frank Hübner
Rudy Cohen
Romain Schroeder
Mark Damon
First Assistant Camera:
Philippe Piron
First Assistant Director:
Charlie Watson
First Assistant Editor:
Tim Grover
Foley Artist:
Paula Boram
Foley Editor:
Grahame Peters
Gaffer:
Nimi Getter
Grip:
Tony Turner
Hair Assistant:
Bettina Heyl
Hair Designer:
Linda Mooney
Hairstylist:
René Jordan
Head Carpenter:
Patrice Massida
I/O Supervisor:
Dominik Trimborn
Key Grip:
Jimmy Waters
Leadman:
Manu Poupard
Legal Services:
Greg Bernstein
Line Producer:
Tom Reeve
Loader:
Alex Aach
Location Assistant:
Franck Alix
Location Manager:
Pascal Charlier
Makeup Artist:
Katalin Elek
Makeup Designer:
Zoltan Elek
Martial Arts Choreographer:
Xiong Xinxin
Music Coordinator:
Doris Lütz
Music Editor:
Dina Eaton
Negative Cutter:
Mike Fraser
Novel:
Alexandre Dumas
Original Music Composer:
David Arnold
Painter:
Alain Boncour
Post Production Coordinator:
Hunter S. Ellis
Post Production Supervisor:
Christopher P. Kibbey
Producer:
Moshe Diamant
Production Accountant:
Rachel Quigley Smith
Production Assistant:
Jonathan Damon
Production Coordinator:
Tilly Creswell
Production Design:
Philip Harrison
Production Executive:
Cédric Gonella
Production Runner:
Bob Feltgen
Production Secretary:
Annick Lockman
Production Supervisor:
Reinhild Gräber
Production Trainee:
Kendra Maas
Property Master:
Paul Purdy
Propmaker:
Paul Biwer
Researcher:
Michel Jonas
Rigging Gaffer:
Mick Durlacher
Scenic Artist:
Grahame Ménage
Screenplay:
Gene Quintano
Script Supervisor:
Sheila McNaught
Sculptor:
Françoise Fagnou
Seamstress:
Noémie Le Tilly
Second Assistant Camera:
Riccardo Besantini
Second Assistant Director:
Beni Turkson
Second Second Assistant Director:
Barbara Dupont
Set Decoration:
Milly Burns
Set Dresser:
Tiffany Rodenfels
Sound Effects Editor:
Tim Hands
Sound Mixer:
Detlev Fichtner
Sound Re-Recording Mixer:
Dean Humphreys
Sound Recordist:
John Bateman
Special Effects Assistant:
Alain Couty
Special Effects Coordinator:
Grégoire Delage
Special Effects Supervisor:
Georges Demétrau
Special Effects Technician:
Jean-Claude Dauphinot
Stand In:
Jason Chambers
Standby Painter:
Klaus Bienen
Steadicam Operator:
Alessandro Bolognesi
Still Photographer:
Etienne Braun
Storyboard Artist:
James Doh
Stunt Coordinator:
Xiong Xinxin
Friedrich de Grude
Stunt Double:
Xiong Xinxin
Manuel Yanez Benitez
Stunts:
Xiong Xinxin
Ben Bellman
Supervising Armorer:
Christophe Maratier
Supervising Sound Editor:
Peter Baldock
Swing:
Bertrand Dufour
Tailor:
Alex Desfonds
Technical Advisor:
Fréderic Hardy
Technical Supervisor:
Lothar Albrecht
Third Assistant Director:
Mathilde Bouts
Title Designer:
Janice Mordue
Transportation Captain:
Gary Sharp
Transportation Coordinator:
Arnaud Esterez
Travel Coordinator:
Céline Gaul
Unit Production Manager:
Meinir Stoutt
Unit Publicist:
Michel Burstein
Video Assist Operator:
Mascha Litterscheid
Visual Effects:
Kalle Max Hofmann
Visual Effects Editor:
Tim Grover
Visual Effects Producer:
Stephen Elson
Visual Effects Supervisor:
Kelley Ray
Colin Laski
Wardrobe Assistant:
Anne-Catherine Clercq-Roques
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At least one plug-in comes from IMDb.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.