A work in constant progress (and occasional regress).
Release Date:
February 3, 2017
Original Title:
王妃の館 / VIVA! FESTA!
Production Companies:
Takarazuka Revue Productions
Production Countries:
Japan
Ratings / Certifications:
N/A
Takarazuka Cosmos Troupe 2017 production based on the novel of the same name by Asada Jirou, as well as the 2015 film. The Chateau de la Reine is a luxury hotel tucked into a corner of the Place des Vosges. Two businesses team up to come up with an audacious and unprecedented plan to double-book tours. All sorts of chaos erupts as episodes involving a former Châtelain and King Louis unfold. When all is said and done, where will these people, so confused about love and life, end up? Viva! Festa! It's a festa where people escape from their everyday lives to celebrate all the things that make life worth living: prayer, appreciation, hope and more! The theme of this Super Revue is the festa of the world, including Rio's Carnival, Walpurgis Night from North and Central Europe, the Running of the Bulls in Spain, and the Yosakoi Soran Festival of Japan.
Choreographer:
AYAKO
Miori Yumino
Conductor:
Sasada Aiichirou
Director:
Tabuchi Daisuke
Original Music Composer:
Aoki Tomoko
Ueda Hironori
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.