A work in constant progress (and occasional regress).
Release Date:
June 1, 1986
Original Title:
Les Temps Des Assassins
Ratings / Certifications:
N/A
Runtime: 30
The film Les temps des Assassins is not only an extraordinary work, but it is also an extraordinary exegesis of Rimbaud's clairvoyance. It begins with the seer: the reflection of a fight in the glass of her glasses, while the wind moves her hair, how the clouds move, how the duelists move, perhaps the murderers. But "I is another," Rimbaud wrote. To be, to know how to be a witness, the visionary must begin a journey to discover the depth of this "other" which is the self. Meet houses, antennas, clouds along the road that winds fast through the car windows, while the sun beats on the glass, refracts on the glasses, making the visionary's gaze invisible. And then there are the mysterious intermittences: the galleries, "the connections, the passages, the representations", which, according to Novalis, are the landscape of the unknown self. And here fragments emerge that are no longer composed in a landscape: a gun, a face, a head, a body, a mouth wide open in the silent scream, and colors.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.