Les Temps Des Assassins (1986) [N/A]

Release Date:
June 1, 1986

Original Title:
Les Temps Des Assassins

Ratings / Certifications:
 N/A

Runtime: 30

"The Time of the Assassins has arrived" - Arthur Rimbaud, Matinèe d’ivresse

The film Les temps des Assassins is not only an extraordinary work, but it is also an extraordinary exegesis of Rimbaud's clairvoyance. It begins with the seer: the reflection of a fight in the glass of her glasses, while the wind moves her hair, how the clouds move, how the duelists move, perhaps the murderers. But "I is another," Rimbaud wrote. To be, to know how to be a witness, the visionary must begin a journey to discover the depth of this "other" which is the self. Meet houses, antennas, clouds along the road that winds fast through the car windows, while the sun beats on the glass, refracts on the glasses, making the visionary's gaze invisible. And then there are the mysterious intermittences: the galleries, "the connections, the passages, the representations", which, according to Novalis, are the landscape of the unknown self. And here fragments emerge that are no longer composed in a landscape: a gun, a face, a head, a body, a mouth wide open in the silent scream, and colors.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.