A work in constant progress (and occasional regress).
Release Date:
September 21, 1988
Original Title:
The Lair of the White Worm
Alternate Titles:
A Maldição da Serpente
Der Biß der Schlangenfrau
El hechizo de la serpiente
Jardim do Mal
La guarida del gusano blanco
La tana del serpente bianco
Le repaire du ver blanc
انه کرم سفید
蛇妖
Genres:
Comedy | Horror
Production Companies:
Vestron Pictures
White Lair
Production Countries:
United Kingdom
Ratings / Certifications:
CA: R DE: 18 FR: 12 HU: 18 US: R
Runtime: 93
On a farm owned by Eve Trent and her sister Mary, young archaeologist Angus Flint discovers a large and inexplicable skull, which he soon deduces belonged to the D'Ampton Worm, a mythical beast supposedly slain generations ago by the ancestor of the current Lord D'Ampton. The predatory Lady Sylvia Marsh soon takes an interest in both Flint and the virginal Eve, hinting that the vicious D'Ampton Worm may still live.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
John Ralph
Assistant Accountant:
Sarah Lucraft
Assistant Camera:
Ben Davis
John Foster
Assistant Editor:
Wayne Smith
Assistant Sound Editor:
Paul Conway
Best Boy Electric:
Ronnie McKay
Boom Operator:
John Chandler
Carpenter:
Tom Bowyer
Robin Thistlethwaite
Casting:
Gail Stevens
Choreographer:
Imogen Claire
Clapper Loader:
David B.A. Jones
Construction Manager:
Alastair Gow
Costume Designer:
Michael Jeffery
Director:
Ken Russell
Director of Photography:
Dick Bush
Editor:
Peter Davies
Electrician:
Mark Gay
Graham Newton
Tommy O'Sullivan
Executive In Charge Of Production:
Jack Lorenz
Executive Producer:
Dan Ireland
William J. Quigley
First Assistant Director:
Christopher Hall
First Assistant Editor:
Joe Illing
Focus Puller:
Steve Parker
Richard Brierley
Gaffer:
Steve Blake
Generator Operator:
Jim Coward
Hairdresser:
Karen Edwards
Key Grip:
Mark Ellis
Lighting Camera:
Robin Browne
Line Producer:
Ronaldo Vasconcellos
Location Manager:
Peter Elford
Makeup Artist:
Pam Meager
Elizabeth Moss
Makeup Designer:
Geoffrey Portass
Modeling:
Stuart Conran
Arlind Junkerman
John Cormican
Mark Coulier
Kate Murray
Neill Gorton
Cliff Wallace
Novel:
Bram Stoker
Original Music Composer:
Stanisław Syrewicz
Producer:
Ken Russell
Production Accountant:
William Tyler
Production Assistant:
Sabina Fletcher
Production Coordinator:
Winnie Wishart
Production Design:
Anne Tilby
Production Manager:
Laura Julian
Property Master:
Rodney Pincott
Scenic Artist:
Steven Sallybanks
James Hunt
Screenplay:
Ken Russell
Script Supervisor:
Lesley Cross
Second Assistant Director:
Rupert Ryle-Hodges
Nick Heckstall-Smith
Set Buyer:
Kate Kilroy
Set Designer:
Anne Tilby
Set Dresser:
Chris Townsend
Sound:
Richard Wells
Sound Assistant:
Ray Merrin
Sound Editor:
Jim Roddan
Nigel Galt
Sound Engineer:
Daniel Vallancien
Sound Mixer:
Bill Rowe
Ray Beckett
Special Effects Supervisor:
Simon Sayce
Alan Whibley
Special Effects Technician:
William Petty
Dave Keen
Roy Puddefoot
Alan Hedgcock
Steven Painter
Karen Winnery
Paul Jones
Alistair McPherson
Warwick Sayce
Gary Ryan
Mary Roberts
Standby Carpenter:
Tommy Westbrook
Standby Painter:
Ken Hawkey
Standby Property Master:
Ron Higgins
Eddie McMahon
Standby Rigger:
Con Murphy
Still Photographer:
Clive Coote
Stunt Coordinator:
Stuart St. Paul
Stunt Double:
Abbi Collins
Chrissy Monk
Third Assistant Director:
Cordelia Hardy
Wardrobe Assistant:
Diane Murphy
Jenny Hawkins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.