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Midnight Express (1978) [R]

Release Date:
August 31, 1978

Original Title:
Midnight Express

Alternate Titles:
12 Uhr nachts - Midnight Express
El Expreso De Medianoche
El expreso de Medianoche
Expresso da Meia-Noite
Fuga di mezzanotte
Midnight Express
O Expresso da Meia-Noite
Полуночный экспресс
มิดไนท์ เอ็กซ์เพรส
午夜快车

Genres:
Crime | Drama

Production Companies:
Casablanca Filmworks
Columbia Pictures

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AR: 18  AU: R 18+  BE: 18  BR: 18  CA: 18A  CO: 15  DE: 16  DK: 15  ES: 18  FI: K-18  FR: 16|TP  GB: 18  IE: 18  IT: VM18  JP: R-15   KR: 19  NL: 16  SE: 15  US: R 

Runtime: 121

Walk into the incredible true experience of Billy Hayes. And bring all the courage you can.

Overview from TheMovieDB

Billy Hayes is caught attempting to smuggle drugs out of Turkey. The Turkish courts decide to make an example of him, sentencing him to more than 30 years in prison. Hayes has two opportunities for release: the appeals made by his lawyer, his family, and the American government, or the "Midnight Express".

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Additional information:

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Performers

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Production

Art Department Assistant:
Katharina Kubrick

Art Direction:
Evan Hercules

Costume Design:
Milena Canonero

Director:
Alan Parker

Director of Photography:
Michael Seresin

Editor:
Gerry Hambling

Executive Producer:
Peter Guber

Hairstylist:
Pat Hay
Sarah Monzani

Makeup Artist:
Penny Steyne
Mary Hillman

Novel:
Billy Hayes
William Hoffer

Original Music Composer:
Giorgio Moroder

Producer:
Alan Marshall
David Puttnam

Production Design:
Geoffrey Kirkland

Production Manager:
Garth Thomas

Screenplay:
Oliver Stone
Billy Hayes
William Hoffer

Still Photographer:
David Appleby

Unit Manager:
Richard Green

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.