A work in constant progress (and occasional regress).
Release Date:
July 21, 2023
Original Title:
Blushing Phantom
Ratings / Certifications:
N/A
Blushing Phantom explores ideas of disappearance, divinati0n and mimiciry within the context of an online world that expresses itself through a;_<333uniquely digital waysIt blends liv action video with 3D anim@tion;drawing bizarre links between the ?physical#virtual, and 1magined realms at whose intersections describe…and likely in eBlushing Phantom references the symbology of flowers as its own secret systenstead celebrates the mutable nature of a transparent and slippery embodiment m of communication harkening from the days of you’re/ …and mimicry in the natural world. Its visual languag reference spsychedelia, divination, and mimicry in the natural world. It is a a magiceye.gif hiding an image is in a state of perpetual reinvention. Some bu++erf1ies have eyespots to confuse their predators. And some fl❁w❀✽s are encoded. In many ways it is better online t o disappear.
Camera Supervisor:
Parker Thiessen
Camera Technician:
Parker Thiessen
Cinematography:
Parker Thiessen
Director:
eryn tempest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.