A work in constant progress (and occasional regress).
Release Date:
October 21, 2005
Original Title:
Nanny McPhee
Alternate Titles:
La nana mágica: Nanny Mcphee
Nanny McPhee - A varázsdada
Nanny McPhee 1
Nanny McPhee, la nana mágica
Nanny McPhee: A Babá Encantada
Nanny McPhee: a Ama Mágica
Νάνι Μακ Φι: Η Μαγική Νταντά
Моя ужасная няня
Няня МакФі
내니 맥피: 우리 유모는 마법사
내니 맥피; 우리 유모는 마법사
내니맥피 1: 우리 유모는 마법사
내니맥피 1; 우리 유모는 마법사
Genres:
Comedy | Family | Fantasy
Production Companies:
Metro-Goldwyn-Mayer
Nanny McPhee Productions
StudioCanal
Three Strange Angels
Universal Pictures
Working Title Films
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
AT: AA AU: PG BR: L CH: 12 CZ: U FR: U GB: U HU: 12 IE: G JP: PG12 KR: ALL NL: 6 PT: M/6 RO: AP US: PG
Runtime: 97
Widower Cedric Brown hires Nanny McPhee to care for his seven rambunctious children, who have chased away all previous nannies. Taunted by Simon and his siblings, Nanny McPhee uses mystical powers to instill discipline. And when the children's great-aunt and benefactor, Lady Adelaide Stitch, threatens to separate the kids, the family pulls together under the guidance of Nanny McPhee.
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ADR Mixer:
Peter Gleaves
Art Direction:
Matthew Robinson
Assistant Foley Artist:
Glenn Freemantle
Casting:
Michelle Guish
Pippa Hall
Costume Design:
Nic Ede
Director:
Kirk Jones
Director of Photography:
Henry Braham
Editor:
Nick Moore
Justin Krish
Executive Producer:
Debra Hayward
Liza Chasin
Finance:
Michele Tandy
Foley Artist:
Jack Stew
Makeup Artist:
Tamsin Dorling
Pamela Haddock
Peter Swords King
Music Consultant:
Kirsten Lane
Novel:
Christianna Brand
Original Music Composer:
Patrick Doyle
Producer:
Tim Bevan
Eric Fellner
Lindsay Doran
Glynis Murray
Production Design:
Michael Howells
Production Sound Mixer:
Simon Hayes
Screenplay:
Emma Thompson
Set Decoration:
Philippa Hart
Special Effects Makeup Artist:
Chris Lyons
Nathaniel De'Lineadeus
Stunt Coordinator:
Andy Bradford
Rod Woodruff
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.