A work in constant progress (and occasional regress).
Release Date:
December 16, 2010
Original Title:
The Purple Hat
Production Companies:
Desert Light Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 13
It is a rainy night in 1938 in the New Orleans French Quarter. A man wanders into a bar and tells a grisly tale of a woman he has seen murdered over and over again.
Assistant Camera:
Katie Santore
Joe Martinez
Timothy Bauer
Malik Daniels
Associate Producer:
Charles Schner
Thomas L. Wentworth
Tighe Damron
Best Boy Grip:
Richard Galli
Boom Operator:
Mickey Browne
Camera Operator:
Richard Romero
Cinematography:
Charles Schner
Consulting Producer:
Mike Miller
Costume Design:
Tsuya Chinn
Costumer:
Tsuya Chinn
Digital Colorist:
Joe Parisella
Director:
Gregory Doucette
Editor:
Julie Antepli
Electrician:
John K.D. Graham
First Assistant Director:
Michael Feldman
Gaffer:
Richard W. King
Hairstylist:
Stephen M. Muller
Yvette Meely
Jimmy Jib Operator:
Darryl L. Frank
Key Grip:
Coad Miller
Lead Set Dresser:
Dale Lotreck
Location Manager:
Roderick Peyketewa
Makeup Artist:
Genevieve Dewing
Herb Dewing
Stephen M. Muller
Music:
Bonnie Janofsky
Online Editor:
Richard Nastasi
Producer:
April Adams
Production Assistant:
Nick Sandoval
Production Design:
Mark Bankins
Production Driver:
Amy Jo Larsen
Production Intern:
Corinne Spicer
Production Sound Mixer:
Edwardo Santiago
Property Master:
Michael Chochol
Second Assistant Director:
Ian Simon
Dominic Martinez
Sound Designer:
Ned Lott
Sound Mixer:
Ellis Burman III
Special Effects:
Darryl L. Frank
Steadycam:
Richard Romero
Story:
Gregory Doucette
Eudora Welty
Technical Advisor:
Steve Simonsen
Thanks:
Nancy Garret
Richard Romero
Ron Garrett
Transportation Coordinator:
J.D. Hicks
Video Assist Operator:
Derek Bensonhaver
Visual Effects:
Tighe Damron
Thomas L. Wentworth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.