A work in constant progress (and occasional regress).
Release Date:
December 4, 1998
Original Title:
Psycho
Alternate Titles:
98惊魂记
Psychose
Խելագառ
Genres:
Horror | Mystery | Thriller
Production Companies:
Imagine Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 12 FR: 12 GB: 15 HU: 16 IE: 15 KR: 18 US: R
Runtime: 103
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.
ADR Mixer:
Doc Kane
Alan Holly
ADR Supervisor:
Peter Appleton
Art Direction:
Carlos Barbosa
Assistant Editor:
Phillip J. Bartell
Helen Hand
Assistant Location Manager:
Timothy Falconer
Assistant Production Coordinator:
Kristin Claiborne
Assistant Sound Editor:
Concha Solano
Aaron Olsen
Associate Producer:
Jim Whitaker
Best Boy Electric:
Larry J. Richardson
Best Boy Grip:
Bob Anderson
Boom Operator:
Robert Jackson
Camera Loader:
Tony Chiu
Camera Operator:
David Golia
Casting:
Howard Feuer
Casting Associate:
Meredith Tucker
Color Timer:
Bob McMillian
Conductor:
Steve Bartek
Construction Coordinator:
Richard J. Bayard
Construction Foreman:
Cliff Bergman
Costume Design:
Beatrix Aruna Pasztor
Costume Supervisor:
Vanessa Vogel
Dialogue Editor:
David A. Cohen
Director:
Gus Van Sant
Director of Photography:
Christopher Doyle
Dolly Grip:
Mike Schwake
Editor:
Amy E. Duddleston
Electrician:
Daniel Windels
Chris Culliton
Marek Bojsza
Executive Producer:
Dany Wolf
Extras Casting:
Dixie Webster-Davis
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
Bruce Franklin
Foley Artist:
Marnie Moore
Margie O'Malley
Foley Editor:
Patti Tauscher
Foley Recordist:
Ben Conrad
Frank Rinella
Jim Pasque
Gaffer:
David Devlin
Grip:
Alexander Griffiths
Jamie Franta
Brad Gissell
Brad Boyer
Hair Department Head:
Candy L. Walken
Hairstylist:
Edward St. George
Lana Heying
In Memory Of:
Alfred Hitchcock
Key Costumer:
Cookie Lopez
Key Grip:
Jim Kwiatkowski
Leadman:
Angi Neff
Brett C. Smith
Location Manager:
Jeff Crandell
Makeup Artist:
Gina Monaci
Rick Baker
Makeup Department Head:
Elaine L. Offers
Music Editor:
Brent Brooks
Music Producer:
Danny Elfman
Steve Bartek
Negative Cutter:
Gary Burritt
Novel:
Robert Bloch
Original Music Composer:
Bernard Herrmann
Pilot:
Peter McKernan Sr.
Peter McKernan Jr.
Post Production Supervisor:
Robert Hackl
Producer:
Gus Van Sant
Brian Grazer
Production Accountant:
Glenn Nicol
Production Coordinator:
Noelle Chapin
Production Design:
Tom Foden
Production Secretary:
Talley Singer
Production Sound Mixer:
Ron Judkins
Production Supervisor:
Buddy Enright
Property Master:
Amie McCarthy Winn
Rigging Gaffer:
Brian Lukas
Rigging Grip:
Daniel Coscia
Mathew Marden
Charley Gilleran
Rick Uva
Screenplay:
Joseph Stefano
Script Supervisor:
Jane Goldsmith
Second Assistant Camera:
Suzanne Trucks
Second Assistant Director:
Conte Mark Matal
Second Second Assistant Director:
Hans Berggren
Set Costumer:
Frank Helmer
Set Decoration:
Rosemary Brandenburg
Set Designer:
Kristen Davis
Nicole Koenigsberger
Victoria Ruskin
Tim Beach
Set Dresser:
Kelly Berry
Jay Smith
Glenn H. Roberts
Steven Ladish
Edward J. Protiva
Kris Fuller
Sound Designer:
Kelley Baker
Sound Editor:
Richard Moore
Patrick Winters
Michael 'Gonzo' Gandsey
Sound Re-Recording Mixer:
Rick Kline
Chris Carpenter
Leslie Shatz
Special Effects Coordinator:
Erick Brennan
Special Effects Key Makeup Artist:
Matthew W. Mungle
Still Photographer:
Suzanne Tenner
Stunt Coordinator:
Mickey Giacomazzi
Stunt Double:
Robin Bonaccorsi
Stunts:
Patricia M. Peters
Eliza Coleman
Tabby Hanson
Jack Carpenter
Janae Louise Marsh
Stephanie Reaves
Supervising Music Editor:
Kenneth Karman
Supervising Sound Editor:
Kelley Baker
Technical Advisor:
Hilton A. Green
Marshall Schlom
Title Designer:
Saul Bass
Transportation Coordinator:
Victor Anderson
Unit Production Manager:
Dany Wolf
Unit Publicist:
Guy Adan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.