A work in constant progress (and occasional regress).
Release Date:
December 4, 1998
Original Title:
Psycho
Alternate Titles:
98惊魂记
Psychose
Genres:
Horror | Mystery | Thriller
Production Companies:
Imagine Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 12 FR: 12 GB: 15 HU: 16 IE: 15 KR: 18 US: R
Runtime: 103
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.
ADR Mixer:
Doc Kane
Alan Holly
ADR Supervisor:
Peter Appleton
Art Direction:
Carlos Barbosa
Assistant Editor:
Helen Hand
Phillip J. Bartell
Assistant Location Manager:
Timothy Falconer
Assistant Production Coordinator:
Kristin Claiborne
Assistant Sound Editor:
Concha Solano
Aaron Olsen
Associate Producer:
Jim Whitaker
Best Boy Electric:
Larry J. Richardson
Best Boy Grip:
Bob Anderson
Boom Operator:
Robert Jackson
Camera Loader:
Tony Chiu
Camera Operator:
David Golia
Casting:
Howard Feuer
Casting Associate:
Meredith Tucker
Color Timer:
Bob McMillian
Conductor:
Steve Bartek
Construction Coordinator:
Richard J. Bayard
Construction Foreman:
Cliff Bergman
Costume Design:
Beatrix Aruna Pasztor
Costume Supervisor:
Vanessa Vogel
Dialogue Editor:
David A. Cohen
Director:
Gus Van Sant
Director of Photography:
Christopher Doyle
Dolly Grip:
Mike Schwake
Editor:
Amy E. Duddleston
Electrician:
Daniel Windels
Marek Bojsza
Chris Culliton
Executive Producer:
Dany Wolf
Extras Casting:
Dixie Webster
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
Bruce Franklin
Foley Artist:
Margie O'Malley
Marnie Moore
Foley Editor:
Patti Tauscher
Foley Recordist:
Jim Pasque
Ben Conrad
Frank Rinella
Gaffer:
David Devlin
Grip:
Brad Boyer
Jamie Franta
Brad Gissell
Alexander Griffiths
Hair Department Head:
Candy L. Walken
Hairstylist:
Edward St. George
Lana Heying
In Memory Of:
Alfred Hitchcock
Key Costumer:
Cookie Lopez
Key Grip:
Jim Kwiatkowski
Leadman:
Brett C. Smith
Angi Neff
Location Manager:
Jeff Crandell
Makeup Artist:
Gina Monaci
Rick Baker
Makeup Department Head:
Elaine L. Offers
Music Editor:
Brent Brooks
Music Producer:
Danny Elfman
Steve Bartek
Negative Cutter:
Gary Burritt
Novel:
Robert Bloch
Original Music Composer:
Bernard Herrmann
Pilot:
Peter McKernan Sr.
Peter McKernan
Post Production Supervisor:
Robert Hackl
Producer:
Brian Grazer
Gus Van Sant
Production Accountant:
Glenn Nicol
Production Coordinator:
Noelle Chapin
Production Design:
Tom Foden
Production Secretary:
Talley Singer
Production Sound Mixer:
Ron Judkins
Production Supervisor:
Buddy Enright
Property Master:
Amie McCarthy Winn
Rigging Gaffer:
Brian Lukas
Rigging Grip:
Charley Gilleran
Daniel Coscia
Mathew Marden
Rick Uva
Screenplay:
Joseph Stefano
Script Supervisor:
Jane Goldsmith
Second Assistant Camera:
Suzanne Trucks
Second Assistant Director:
Conte Mark Matal
Second Second Assistant Director:
Hans Berggren
Set Costumer:
Frank Helmer
Set Decoration:
Rosemary Brandenburg
Set Designer:
Tim Beach
Kristen Davis
Nicole Koenigsberger
Victoria Ruskin
Set Dresser:
Edward J. Protiva
Steven Ladish
Glenn H. Roberts
Kris Fuller
Kelly Berry
Jay Smith
Sound Designer:
Kelley Baker
Sound Editor:
Patrick Winters
Richard Moore
Michael "Gonzo" Gandsey
Sound Re-Recording Mixer:
Leslie Shatz
Chris Carpenter
Rick Kline
Special Effects Coordinator:
Erick Brennan
Special Effects Key Makeup Artist:
Matthew W. Mungle
Still Photographer:
Suzanne Tenner
Stunt Coordinator:
Mickey Giacomazzi
Stunt Double:
Robin Lynn Bonaccorsi
Stunts:
Jack Carpenter
Eliza Coleman
Tabby Hanson
Janae Louise Marsh
Stephanie Reaves
Patricia M. Peters
Supervising Music Editor:
Kenneth Karman
Supervising Sound Editor:
Kelley Baker
Technical Advisor:
Hilton A. Green
Marshall Schlom
Title Designer:
Saul Bass
Transportation Coordinator:
Victor Anderson
Unit Production Manager:
Dany Wolf
Unit Publicist:
Guy Adan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.