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The Ballad of Wallis Island (2025) [PG-13]

Release Date:
March 28, 2025

Original Title:
The Ballad of Wallis Island

Alternate Titles:
One For the Money

Genres:
Comedy | Drama | Music

Production Companies:
BBC Studios
Baby Cow Productions
Focus Features
Moxie Pictures

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AU: PG  DE: 6  GB: 12A  IE: PG  NZ: M  US: PG-13 

Runtime: 100

He's getting the band back together.

Overview from TheMovieDB

An eccentric lottery winner who lives alone on a remote island tries to make his fantasies come true by getting his favourite musicians to perform at his home.

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Additional information:

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Performers

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Production

"B" Camera Operator:
Steve Burgess

ADR Recordist:
Benjamin Darier

Assistant Editor:
Tommy Southgate

Assistant Production Coordinator:
Steph Van Geete

Casting:
Catherine Willis

Casting Associate:
Sarah Harkins

Colorist:
Emily Russul Saib

Construction Manager:
Gus Wookey

Costume Assistant:
Chiara Vicini

Costume Design:
Gabriela Yiaxis

Costume Standby:
Georgia Smith

Dialogue Editor:
Daniel Jaramillo Gutierrez

Director:
James Griffiths

Director of Photography:
G. Magni Ágústsson

Draughtsman:
Sarah Priest

Drone Cinematographer:
Neil Cain

Editor:
Quin Williams

Editorial Production Assistant:
Alfie Mitchell

Electrician:
Jake Abraham
Jed Holownia
Rowan Holownia

Epk Producer:
Hugo Currie

Executive Producer:
Tom Basden
Carey Mulligan
Laurence Brown
Yana Georgieva
James Griffiths
Stephen Kelliher
Tim Key
Sarah Monteith

First Assistant "A" Camera:
Ross Onions

First Assistant Director:
Ina Lüders

First Assistant Editor:
Jasmine Daniels

First Assistant Sound Editor:
Renzo Garcia

Foley Artist:
Sebastian Vasquez Garzon

Foley Editor:
Maria Clara Calle

Foley Mixer:
Alexander Aguilar

Foley Supervisor:
Sebastian Alzate Lopez

Gaffer:
Mark Holownia

Graphic Designer:
Christian Ashton

Grip:
Ellis Wyn Jones

Hair Designer:
Frances Hounsom

Hair Supervisor:
Amy Carter Mason

Head of Production:
Hsinyi Liu
Lauriel Martin

Key Grip:
Ken Hodgson

Lighting Technician:
Jeremy Middleton

Line Producer:
Mark Murrell
Steve Newton

Location Manager:
Harriet Press

Makeup & Hair Assistant:
Rebecca Micallef

Makeup Designer:
Frances Hounsom

Makeup Supervisor:
Amy Carter Mason

Music Coordinator:
Karen Crossan

Music Supervisor:
Gary Welch

Online Editor:
Andrew Fisun
Adam Sample

Original Music Composer:
Adem Ilhan

Post Producer:
Jeff Halsey

Post Production Supervisor:
Jackie Vance

Producer:
Rupert Majendie

Production Accountant:
Liam O'Connor

Production Coordinator:
Richard Rogan

Production Design:
Alexandra Toomey

Production Manager:
Zara Pink
Tina Schepers

Production Sound Mixer:
Calum Sample

Prosthetic Designer:
Frances Hounsom

Screenplay:
Tom Basden
Tim Key

Script Supervisor:
Nicolette Blenkinsop

Second Assistant "B" Camera:
Tom Goddard

Second Assistant Camera:
Piran John Miller

Second Assistant Director:
Giulia Lyla Balsamo

Second Assistant Sound:
Zak Allum

Set Decoration:
Eliora Darmon

Songs:
Tom Basden

Sound Designer:
Martin Schulz

Sound Editor:
Juan Pablo Saldarriaga Alaguna
Giancarlo Granata

Sound Effects Editor:
Jack Cook
Martin Schulz

Sound Mix Technician:
Andrew Gaidanov

Sound Re-Recording Mixer:
Andy Coles
David Crane

Special Effects Supervisor:
Danny Hargreaves

Special Effects Technician:
Lister Morris

Standby Art Director:
Max Lincoln

Standby Carpenter:
Sam Crowley

Steadicam Operator:
Steve Burgess

Still Photographer:
Alistair Heap
Miya Mizuno

Stunt Coordinator:
Marcus Shakesheff

Supervising Sound Editor:
David Crane
Daniel Jaramillo Gutierrez

Third Assistant Director:
Charlotte Brokenbrow
Peter Leslie
Francis Quigley

Transportation Captain:
Fiona Lockett

Unit Manager:
Richard Ruck
Andrew Tarrant

Unit Publicist:
Ellen Steers

VFX Artist:
Dan Bourne
Annie Mitchell

Visual Effects Compositor:
Chris Chittty
Gabriella Kassinou
Eugen Olsen

Visual Effects Producer:
Bob Pipe

Visual Effects Supervisor:
Jonathan Alenskas

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.