A work in constant progress (and occasional regress).
Release Date:
October 7, 1987
Original Title:
Baby Boom
Alternate Titles:
Baby Boom
Genres:
Comedy | Drama | Romance
Production Companies:
Metro-Goldwyn-Mayer
The Meyers/Shyer Company
United Artists
Production Countries:
United States of America
Ratings / Certifications:
CA: 14A DE: 6 GB: PG HU: 12 IE: PG JP: G NL: AL SK: 12 US: PG
Runtime: 110
J.C. Wiatt is a talented and ambitious New York City career woman who is married to her job and working towards partner at her firm. She has a live-in relationship with Steven, a successful investment broker who, along with J.C., agreed children aren't part of the plan. J.C.'s life takes an unexpected turn when a distant relative dies and the will appoints her the caretaker of their baby girl, Elizabeth. The baby's sudden arrival causes Steven to leave, breaking off their relationship. Juggling power lunches and powdered formula, she is soon forced off the fast track by a conniving colleague and a bigoted boss. But she won't stay down for long. She'll prove to the world that a woman can have it all and on her own terms too!
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Corinne Sessarego
Sue Breitrose
Hank Salerno
Sonny Pettijohn
ADR Voice Casting:
Barbara Harris
Additional Photography:
David Greene
Additional Second Assistant Director:
Barbara Gelman
Vebe Borge
Art Direction:
Beala Neel
Assistant Editor:
Dorothy McGowan
Associate Producer:
Bruce A. Block
Best Boy Grip:
Don Yamasaki
Boom Operator:
Jules Strasser
Camera Operator:
David E. Diano
Casting:
Pam Dixon
Casting Associate:
Carol Lefko
Chief Lighting Technician:
Gerald Boatright
Construction Coordinator:
George Stokes
Costume Designer:
Susan Becker
Costume Supervisor:
Jim Lapidis
Rosemarie Fall
Costumer:
Walter Rivera
Director:
Charles Shyer
Director of Photography:
William A. Fraker
Editor:
Lynzee Klingman
Extras Casting:
Reatha Grey
First Assistant Camera:
Richard Turner
Marc Margulies
First Assistant Director:
John T. Kretchmer
First Assistant Editor:
Larry Fallick
Hairstylist:
KG Ramsey
Key Grip:
Al LaVerde
Location Casting:
Ann Miller
Location Manager:
David Berthiaume
Joe O'Har
Rick Dallago
Makeup Artist:
Tom Lucas
Matte Painter:
Ken Marschall
Music Editor:
Stephen A. Hope
Orchestrator:
Jack Eskew
Original Music Composer:
Bill Conti
Producer:
Nancy Meyers
Producer's Assistant:
Julie B. Crane
Michael Shoob
Production Coordinator:
Cathy K. Stoia
Production Design:
Jeffrey Howard
Property Master:
Bill MacSems
Screenplay:
Nancy Meyers
Charles Shyer
Script Supervisor:
Pamela Alch
Second Assistant Camera:
Lex Rawlins
Don Cropper
Second Assistant Director:
Carole Keligian
Second Unit Director:
Bruce A. Block
Second Unit Director of Photography:
Jack Priestley
Set Decoration:
Lisa Fischer
Sound Editor:
Gary S. Gerlich
Bill Wylie
David Horton Jr.
David Horton Sr.
Sound Mixer:
Bill Nelson
Sound Re-Recording Mixer:
Robert J. Litt
Rick Kline
Elliot Tyson
Special Effects Supervisor:
John Frazier
Steadicam Operator:
Joseph F. Valentine
Still Photographer:
Joyce Rudolph
John R. Shannon
Kerry Hayes
Supervising ADR Editor:
Michael John Bateman
Supervising Sound Editor:
Frank E. Warner
Transportation Captain:
David Menapace
Transportation Coordinator:
Chuck Hanson
Unit Production Manager:
Michele Ader
G. Mac Brown
Unit Publicist:
Shelley Kirkwood
Vocals:
Siedah Garrett
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.