A work in constant progress (and occasional regress).
Release Date:
May 2, 2023
Original Title:
Sacred Refuge
Production Companies:
Cinemula
Reyalidad Films
Silog Films
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 18
Anan, a young faith healer of the Baryo Hinirang, is on his quest to find the answer behind the scarcity and death in his small community when he falls under the spell of Tres Marias, whom he encountered face-to-face. Contesting the old beliefs about the wickedness of the creature and the testimony of his grandfather, Tandang Igo, Anan gave relief to the community with the “miracle water” from the river of Tres Marias. With all the praise and adoration, the community, headed by Anan, invites the Tres Marias to live with them. Is the baryo ready for what is coming next?
Art Direction:
Ma. Louisse Angeles
Assistant Director:
Kyle Nicole Estrella
Assistant Editor:
Angela Beatriz Macasieb
CJ Ablaza
Associate Producer:
Kathleen Urbano
BTS Footage:
CJ Ablaza
Camera Operator:
Angela Beatriz Macasieb
Clarisse Jel Ablaza
Casting Coordinator:
Kyle Nicole Estrella
Consulting Accountant:
Jerome Vargas
Creative Consultant:
Jet Leyco
Director:
Abegail Esquierda
Director of Photography:
Jhanel Datig
Editorial Services:
Alfredo San Pedro
Angela Beatriz Macasieb
Editorial Staff:
Franz Creus
Executive Producer:
Angela Beatriz Macasieb
Gaffer:
Clarisse Jel Ablaza
Jhanel Datig
Line Producer:
Kathleen Urbano
Location Manager:
Kathleen Urbano
Music Score Producer:
David Hallig
Producer:
Jeremiah Flandez
Production Designer:
Wenjuwyn Burgos
Production Manager:
Angela Beatriz Macasieb
Jeremiah Flandez
Props:
Alfredo San Pedro
Franz Creus
Prosthetics:
Julie Baun Burgos
Script Supervisor:
Nell Dariane Villareal
Set Dresser:
Gillian Bilgera
Benj Vargas
Jeremiah Flandez
Alexander Sulit
Sound Editor:
Benj Vargas
Sound Recordist:
John Benjamin Vargas
Wardrobe Master:
Alfredo San Pedro
Franz Creus
Writer:
Abegail Esquierda
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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