A work in constant progress (and occasional regress).
Release Date:
March 6, 2024
Original Title:
14 Jours pour aller mieux
Genres:
Comedy
Production Companies:
Las Palmeras
M6 Films
Nolita
Princesse Beli
Wild Bunch
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 94
Maxime, an ambitious and Cartesian executive, thinks only of his career and his future marriage to Nafège, the daughter of his boss. On the verge of burnout, alone in not realizing it, he finds himself embarked by his future stepfather Romain in the middle of his worst nightmare... A well-being course supervised by Clara and Luc, a couple of "clairvoyants", with trainees more lunar than each other. 14 days to get better, during which his principles and prejudices will be subjected to the zenitude and benevolence regime!
Assistant Director:
Mathis Dujardin
Assistant Editor:
Muriel Douvry
Assistant Location Manager:
Marthe Visseaux
Boom Operator:
Anthony Stoup-Soihier
Casting Director:
Valérie Xae
Director:
Edouard Pluvieux
Director of Photography:
Laurent Brunet
Electrician:
Guillaume Chaumet
Margot Thierry
First Assistant Art Direction:
Pascal Chatton
Gaffer:
Florian Gomez
Key Costumer:
Marion Viel
Zoé Caillet
Production Coordinator:
Audrey Mery
Production Design:
Flavia Marcon
Property Master:
Solenn Biehler
Second Assistant Camera:
Alice Rebetez
Second Assistant Director:
Anouk Barrere
Set Decoration Buyer:
Philippe Mazuy
Sound:
Eddy Laurent
Swing:
Mathieu Lazare
Thomas Granet-Tegler
Vincent Schlumberger
Charles Malliet
Writer:
Lionel Dutemple
Olivier Ducray
Edouard Pluvieux
Maxime Gasteuil
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.