A work in constant progress (and occasional regress).
Release Date:
April 22, 2023
Original Title:
Get to the Wire
Genres:
Drama | Science Fiction | Thriller
Production Companies:
Swinburne Film and Television School
Production Countries:
Australia
Ratings / Certifications:
US: PG-13
Runtime: 15
In a dystopian future, an Australian-Iraqi woman held captive in a chaotic and brutal British immigration detention centre takes up severe measures to survive and reconnect with her estranged family.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
BTS Photographer:
Xavier Levine
Boom Operator:
Broderick McDonald
Cinematography:
Louis Walter
Co-Producer:
Paul Burns
Eli Elisco
Co-Writer:
Maggie Brittingham
Color Grading:
Daniel Witt
Continuity:
Daniel Witt
Director:
Paul Burns
Editor:
Daniel Witt
Electrician:
Tom Molan
Alexander Hodge
Ash Mulama
Executive Producer:
Meredith Ure
Andrew Burns
Linda Kendell
First Assistant Camera:
Ollie Manton
First Assistant Director:
Byron Hewson
Gaffer:
Alfred Haddon
Thomas Snowden
Grip:
Alexander Hodge
Location Manager:
Kevin Walter
Makeup & Hair:
Paris Forrest
Makeup & Hair Assistant:
Lis Jaima
Music:
Morgan Hickinbotham
Producer:
Maggie Brittingham
Production Artist:
Emma Wardell
Bronte Mularczyk
Jaide Innes
Cameron Miller
Production Design:
Annika Rigg
Script Supervisor:
Behrouz Harvasi
Second Assistant Camera:
Xavier Levine
Harrison Stamatelatos
Angela Basile
Second Assistant Director:
Maggie Brittingham
Sound Design Assistant:
Adam Stobbs
Sound Designer:
Perry Weinstock
Paul Burns
Sound Mix Technician:
Pip Atherstone-Reid
Sound Recordist:
Adam Stobbs
Translator:
Behrouz Harvasi
Unit Manager:
Eli Elisco
Writer:
Paul Burns
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.