A work in constant progress (and occasional regress).
Original Title:
Splinter
Genres:
Thriller
Ratings / Certifications:
N/A
Runtime: 14
All eyes are on Margot Delaney, a booming model fixated on emulating perfection at her runway debut, crumbling under the fashion industry's demands, while facing the reality of her distorted self-image.
Art Department Assistant:
Shivini Verma
Kryan Brown
Art Department Production Assistant:
Casey Hoerman
Art Direction:
Ella Hendriks
Assistant Editor:
Eric Rustum
Eve Gershon
Best Boy Grip:
Dajiana Huang
Leo Ribeiro de Brito
Boom Operator:
Jack Hisatomi
Camera Operator:
Cooper Lichacz
Zayd Ezzeldine
Steven Xie
Casting Director:
Abigail Haralson
Colorist:
Ryan Urzi
Costume Design:
Mr. Haque
Costume Designer:
Laura Kim
Mattie Wellnitz
Ella Nelson
Brock Foose
Digital Imaging Technician:
Zach Patterson
Nelson Westerhout
Director:
Taylor Weiss
Director of Photography:
Sydney Kaplan
Editor:
George Zen Stewart
First Assistant "B" Camera:
Danny Lorenze
First Assistant Camera:
Lauren Stiles
Christine Mouton
Ali Flynn
First Assistant Director:
Jordan Sharkey
Gaffer:
Trevor Dunningan
Grip:
Leo Ribeiro de Brito
Megan Sun
Key Grip:
Harrison Segal
Kirk Crockett
Brody Bogert
Makeup Department Head:
Daniela Radovan
Producer:
Panna Warren
Production Assistant:
Jackson Jennings
Macy Friday
Lucas Brien
Emma Latcham-Reiter
Production Design:
Laura Kim
Production Sound Mixer:
Jack Hisatomi
Script Supervisor:
George Zen Stewart
Second Assistant Camera:
Lauren Stiles
Cooper Andrews
Second Assistant Director:
Raphael Camua
Sound Designer:
Nico Valentine
Graham Gold
Sound Mixer:
Graham Gold
Special Effects Key Makeup Artist:
Marynell Dethero
Special Effects Makeup Artist:
Will Altermann
Steadicam Operator:
Tore Livia
Unit Production Manager:
Asher Edwards
Wardrobe Coordinator:
Jenna Bolena
Writer:
Lucas Brien
Taylor Weiss
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.