A work in constant progress (and occasional regress).
Release Date:
April 17, 2024
Original Title:
Ici et là-bas
Genres:
Comedy
Production Companies:
CNC
Canal+
Ciné+
Cinémage 14 Développment
Prélude
StudioCanal
TF1 Films Production
TMC
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 92
A visa problem forces Adrien back to Paris after 15 years in Senegal with his wife Aminata. Her cousin Sékou, now distanced from his Senegalese origins, takes in Adrien. As Adrien awaits his return, Sékou shows him France, sparking surprises.
ADR Supervisor:
Florian Cornet
Tom Nicolas
Administration:
Stéphanie Combot
Assistant Production Manager:
Céline Parret
Casting Director:
Laurent Couraud
Colorist:
Reginald Gallienne
Costume Design:
Stéphanie Watrigant
Data Management Technician:
Florent Perrin
Digital Imaging Technician:
Florent Perrin
Director:
Ludovic Bernard
Director of Photography:
Vincent Richard-Marquis
Editor:
Vincent Zuffranieri
Extras Casting:
Isabelle Kramrick
First Assistant Camera:
Maud Lemaistre
First Assistant Director:
Bastien Blum
Foley Artist:
Christophe Bourreau
Key Hair Stylist:
Benjamin Manzambi
Location Manager:
François Pujol
Music:
Guillaume Roussel
Orchestrator:
Mathieu Alvado
Producer:
Philippe Rousselet
Jonathan Blumental
Production Coordinator:
Camille Nahassia
Production Design:
Mélissa Ponturo
Production Manager:
Julien Bouley
Property Master:
Nicolas Raffy
Second Assistant Camera:
Roxane Jouannin
Second Assistant Director:
Morgan Autexier
Sound:
Gael Nicolas
Sound Mixer:
Amaury de Nexon
Sound Re-Recording Mixer:
Jérôme Wiciak
Stunt Coordinator:
Michel Bouis
Olivier Fornara
Third Assistant Camera:
Adrien Bellier
Third Assistant Director:
Louise Delécaut
Lily Gantelmi d'Ile
Wardrobe Coordinator:
Clémence Roger-Ribun
Writer:
Ludovic Bernard
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.