A work in constant progress (and occasional regress).
Release Date:
December 25, 1993
Original Title:
May Minamahal
Genres:
Drama | Romance
Production Companies:
Star Cinema – ABS-CBN Film Productions
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 117
Only son, Carlitos, suddenly finds himself the man of an all-female household when his father dies of a heart attack. He falls in love with an offbeat girl and is forced to make a choice between following his heart or risk losing the love of the family which has nurtured him all his life.
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Art Direction:
Alan Balbuena
Arnold De Jesus
Assistant Director:
Crisanto Andrew Moreno
Assistant Editor:
Bert Besadre
Bert Vasadre
Amay Dibebe
Boom Operator:
Jorge Marido
Catering:
Rosie Maricaban
Cinematography:
Juanito Perreira, Jr.
Arnold Alvaro
Director:
Jose Javier Reyes
Driver:
Alex Amos
Eugene Sebuala
Alex Canlas
Editor:
George Jarlego
Electrician:
Nestor Bandivas
Executive Producer:
Lily Y. Monteverde
Charo Santos-Concio
Gaffer:
Arnie Alvaro
Nono Samson
Grip:
Nhoel Banaag
Line Producer:
JoAnn Cabalda Banaga
Location Manager:
Ray Maliuanag
Makeup Artist:
Irene Macapagal
Music:
Nonong Buencamino
Post Production Coordinator:
Nora Reyes
Edna M. Pacardo
Mo-Dean Riggs
Alie P. Sajorda
Producer:
Simon C. Ongpin
Production Assistant:
Jennifer Francisco
Gay Ace Domingo
Production Design:
Benjie De Guzman
Production Manager:
Ed Castillo
Joel Apuyan
Production Secretary:
Theody Vidal
Jessica Uy Aranas
Props:
Edwin Hipolito
Publicist:
Ethel Ramos
Schedule Coordinator:
Bong Riano
Songs:
Willy Cruz
Sound Effects:
Rodel Capule
Sound Engineer:
Joe Climaco
Theme Song Performance:
Agot Isidro
Wardrobe Master:
James Quimzon
Writer:
Jose Javier Reyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.