A work in constant progress (and occasional regress).
Release Date:
November 10, 2023
Original Title:
It's a Wonderful Knife
Genres:
Comedy | Horror
Production Companies:
Divide / Conquer
Fourth Culture Films
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 ES: 16 NL: 16 PL: 16 TW: 15+ US: R
Runtime: 87
Winnie's life is less than wonderful one year after saving her town from a psychotic killer on Christmas Eve. When she wishes she was never born, she finds herself magically transported to a nightmarish parallel universe. With the murderous maniac now back, she must team up with a misfit to identify the culprit and get back to her own reality.
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"A" Camera Operator:
Kenneth Lau
Additional Colorist:
So Young Park
Art Direction:
Louisa Birkin
Assistant Costume Designer:
Nikola Stojisavljevic
Assistant Director Trainee:
Kaldy Blanchard
Assistant Location Manager:
Serena England
Assistant Property Master:
Charlie Csontos
Assistant Sound Editor:
Vaughn Wagner
Associate Producer:
Ashley Renders
Boom Operator:
Nathan Addie Quinn
Casting:
Judy Lee
Barbara J. McCarthy
Casting Assistant:
Maia Michaels
Co-Producer:
Jensine Carr
Matt Drake
Colorist:
David Tomiak
Costume Design:
Matea Pasaric
Costume Set Supervisor:
Sophia Cossentine
Dialogue Editor:
Sharon Tseng
Director:
Tyler MacIntyre
Director of Photography:
Nicholas Piatnik
Dolly Grip:
Ron Liu
Editor:
Arndt-Wulf Peemöller
Executive Producer:
Greg Gilreath
Adam Hendricks
Mark Ward
Steffen Wild
Kevin McGrail
Sarah Lebutsch
Marc Hofstatter
Extras Casting:
Laurie Pavon Solis
First Assistant "A" Camera:
Jana Treptow
First Assistant Director:
Chad Belair
Yannick Leray
First Assistant Hairstylist:
Sandra Mackenzie
Foley Artist:
Beqa Turashvili
Foley Editor:
Levan Tserediani
Dachi Abesalashvili
Foley Mixer:
Joni Amiranashvili
Foley Supervisor:
Alexander Sanikidze
Gaffer:
Gareth Jones
Grip:
Logan McBratney
Fraser Lamb
Hair Designer:
Shelly Jensen
Key Grip:
Elijah Zimmerman
Key Hair Stylist:
Shelly Jensen
Cristina Campoy
Key Makeup Artist:
Xander Chen
Line Producer:
Amanda Verhagen
Location Manager:
Arthur Amson
Makeup Department Head:
Miel Enage
Music Supervisor:
Michael Perlmutter
Online Editor:
Tom Malenica
Original Music Composer:
Russ Howard III
Post Production Supervisor:
Matt Drake
Melissa Ziefflie
Producer:
Seth Caplan
Michael Kennedy
Daniel Bekerman
Production Coordinator:
Jon Warne
Production Design:
Tiana P. Gordon
Production Manager:
David S. Fullerton
Production Supervisor:
Nach Dudsdeemaytha
Property Master:
Jason Arkell-Boles
Script Supervisor:
Jecca Hrechka
Second Assistant "A" Camera:
Lindsay Dakin
Second Assistant Director:
David Thomson
Trevor Zurkan
Set Decoration:
Matt Carson
Set Dresser:
Oscar Yeung
Tye Lesueur
Isobel Baker-Smith
Jan Sikora
Set Dressing Buyer:
Madison Stenner
Sound Designer:
Parker Bossley
Sound Editor:
Hugh Wielenga
Sharon Tseng
Sound Mixer:
Shawn Miller
Sound Re-Recording Mixer:
Matt Drake
Special Effects Assistant:
Don Besse
Special Effects Coordinator:
Kyle T. Moore
Special Effects Makeup Artist:
Nikki Delong
Still Photographer:
Belen Garcia
Angel Lynne
Storyboard Artist:
Joshua Lam
Stunt Coordinator:
Yusuf Ahmed
Stunt Double:
Cody Laudan
Holly Racynski
Curtis Bracconnier
Matt Kennedy
Seth Jacob Armstrong
Shawn Robidoux
Andrew Long
Supervising Sound Editor:
Matt Drake
Third Assistant Director:
Jill Wilson
Title Designer:
Al Heck
Truck Supervisor:
Veronica Forth
VFX Artist:
Kevin Shawley
Byron Q
Tony Copolillo
Visual Effects:
Brandon Christensen
Writer:
Michael Kennedy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.