A work in constant progress (and occasional regress).
Release Date:
January 1, 2018
Original Title:
Emma
Genres:
Crime | Drama
Production Companies:
Instituto Superior de Cine y Artes Audiovisuales de Santa Fe
Production Countries:
Argentina
Ratings / Certifications:
N/A
Emma is a short series in the police drama genre.
Art Direction:
Ludmila Wagnest
Assistant Art Director:
Melisa Guerrero
Camera Operator:
Gisela Cisilín
Clapper Loader:
Bernardo Marozzi
Color Grading:
Gisela Cisilín
Continuity:
Bernardo Marozzi
Costume Design:
Ludmila Wagnest
Data Management Technician:
Ezequiel del Prado
Camila Magno
Director:
Imanol Sánchez
Director of Photography:
Gisela Cisilín
Editor:
Imanol Sánchez
Electrician:
Federico Guadarrama
Tomás Altamirano
Matías Ignácolo
Ignacio Giles
Juan Manuel Marasco
Executive Producer:
Ludmila Wagnest
Imanol Sánchez
Yamila Ruóppulo
Franco Vitali
Gisela Cisilín
First Assistant Director:
Sebastián Britos
Focus Puller:
Pedro Bootz
Gaffer:
Jesica Medina
Idea:
Gisela Cisilín
Imanol Sánchez
Makeup Artist:
Ludmila Wagnest
Makeup Designer:
Ludmila Wagnest
Music:
Franco Vitali
Producer:
Yamila Ruóppulo
Producer's Assistant:
Julieta Vidal
Emiliano Moretti
Props:
Ludmila Wagnest
Script Supervisor:
Agustín Falco
Second Assistant Director:
Marcos Berneri
Sound:
Franco Vitali
Sound Assistant:
Luisina Pautasso
Ariel Gaspoz
Sound Post Supervisor:
Franco Vitali
Still Photographer:
Marcela Pucci
Thanks:
Emiliano Rico
Agustín Falco
Francisco Pavanetto
Federico Guadarrama
Diego Chiaffredo
Paula Verónica Rodríguez
Matías Ignácolo
Melisa Guerrero
Marcos Berneri
Ariel Gaspoz
Writer:
Imanol Sánchez
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.