A work in constant progress (and occasional regress).
Release Date:
July 30, 2022
Original Title:
Our Terminal
Ratings / Certifications:
N/A
Runtime: 12
A true story about a promising new love is quickly halted when two steadfast teenage girls are kept apart by suppressive parents. Evie, determined to prove herself, has one chance to fix it. She gathers her friends and races to save her first love, Frankie.
Art Department Production Assistant:
Natalie Fisher
Giovanni Rodriguez
Daisy Lara
Assistant Editor:
Anthony Fins
Ash Wilson
Kennisa Ragland
Pat Shafer
Best Boy Electric:
Mario Ernesto Martinez
Boom Operator:
Shari Petti
Colorist:
Morgan Miller
Craft Service:
Maria Zalamar
Director:
Vyky Saiz
Director of Photography:
Morgan Miller
Editor:
Marlange Piard
First Assistant Camera:
Aaron Kudja
First Assistant Director:
Robert Burns
Gaffer:
Leon Arbeiter
Key Grip:
Michael Corder
Makeup & Hair:
Grace Byrd
Music:
Vishnu Saiz
Producer:
Ava Jazlyn
Producer's Assistant:
Jennifer Joseph
Production Assistant:
Bryan Borges
Amanda Erikzon
Cory Cannarozzi
Nyjah Davis
Eve Adan
Ronald E. Regar III
Ava Zimet
Janet Enamorado
Aliya Carrington
Linda T. Gandy
Javeon Grifford
Abdul-Aziz Muhammad
Anthony Landicini
Jose Monroig
Production Designer:
Cormac Schambach
Script Supervisor:
Gege He
Second Assistant Camera:
Christopher Lee Fatt
Second Assistant Director:
Jingwen Zhao
Shahbaz Khan
Sound Designer:
Vyky Saiz
Sound Mixer:
Shari Petti
Still Photographer:
Britnee Blake
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.