A work in constant progress (and occasional regress).
Release Date:
April 2, 2023
Original Title:
Rosamunde Pilcher: Wenn ich dich wiederfinde
Genres:
Drama | Romance
Production Companies:
FFP New Media
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 89
Boat builder Helen Brody and insurance agent Liam Shaw couldn't be more different - at least at first glance. Nevertheless, fate brings them together. When Helen's husband Jonah is left at sea after a storm, Liam is supposed to pay out her life insurance a year later. But first Jonah has to be officially declared dead. However, there are growing doubts as to whether he is really dead. In order to find out the truth about Jonah's disappearance, Helen and Liam have to team up and follow Jonah's trail. In doing so, they not only get closer to the truth. They discover more and more things in common and fall in love. But just at the moment when Helen could finally let go of Jonah, he turns up again. Helen is faced with a dilemma that takes her to her emotional limits.
Casting Assistant:
Tania Barbosa
Casting Director:
Phillis Dayanir
Continuity:
Gisella Saito
Costume Designer:
Nicole Marie Pleuler
Costumer:
Maja Pesa
Data Wrangler:
Jurij Tschabanow
Director:
Marc Prill
Director of Photography:
Holger Greiß
Editor:
Ilana Goldschmidt
First Assistant Camera:
Finn Kölln
First Assistant Director:
Garikoitz John
Gaffer:
Burhan Dag
Grip:
Mark Ebbage
Key Grip:
Manuel Schlegel
Line Producer:
Beate Balser
Makeup & Hair:
Christine Rose
Anja Mohr
Original Music Composer:
Patrick Schmitz
Producer:
Annette Pisacane
Elvira Bolz
Michael Smeaton
Production Accountant:
Carmen Looker
Production Coordinator:
Emily Tudbury
Second Assistant Camera:
Carolin Wessel
Short Story:
Rosamunde Pilcher
Unit Manager:
Oliver Lentz
Writer:
Uschi Müller
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.