A work in constant progress (and occasional regress).
Release Date:
May 7, 1987
Original Title:
Sarah
Genres:
Drama
Production Companies:
Reginald Puhl Filmproduktion
Production Countries:
Germany
Ratings / Certifications:
DE: 18
Runtime: 108
After the death of her husband, Sarah gets caught up in the wheels of the "most sinful mile in the world," Hamburg's Kiez. In this ruthless machinery that produces nothing but violence, money and lust, the sensitive Sarah tries to adapt emotionlessly. It is a long and hard process of acclimation, but eventually the business of love becomes a profession for Sarah. The power of money holds her captive. And the more she succeeds in increasing her value in the milieu, the more she distances herself from her past bourgeois world - along with her concepts of love, decency and morality. An affair almost becomes her undoing. Sarah flees deeper into the labyrinth - onto the path of venal masochism. She becomes a whip-wielding dominatrix in the notorious Herbertstraße. Now the others are the victims, but Sarah almost loses her mind...
Assistant Camera:
Vera von Wilcken
Arne Schlichting
Director:
Reginald Puhl
Director of Photography:
Klaus Beckhausen
Dragan Rogulj
Michael Marszalek
Slawomir Idziak
Editor:
Reginald Puhl
Lighting Design:
Heinz-Walter Rose
Makeup Artist:
Perdita Metzler
Music:
Nya Murray
Andi Mason
Producer:
Reginald Puhl
Production Design:
Johanna Osborne
Production Manager:
Kerstin Wiedé
Sound:
Hans-Dieter Schwarz
Sound Editor:
Ursula von Langen
Sound Mixer:
Günter Blumhagen
Writer:
Janice Nesbitt
Reginald Puhl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.