A work in constant progress (and occasional regress).
Release Date:
November 22, 2023
Original Title:
Good Burger 2
Genres:
Comedy | Family
Production Companies:
Artists for Artists
Nickelodeon Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: PG CA: PG DE: 6 US: PG|NR
Runtime: 91
Dexter Reed is down on his luck after another one of his inventions fails. Ed welcomes Dex back to Good Burger with open arms and gives him his old job back. With a new crew working at Good Burger, Dex devises a plan to get back on his feet but unfortunately puts the fate of Good Burger at risk once again.
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Accounting Clerk Assistant:
Lisa Leplat Cancelliere
Assistant Art Director:
Jared Hartley
Assistant Editor:
Fashion Joe
Assistant Location Manager:
Casey Regan
Patrick Brazile
Best Boy Grip:
Dave Scranton
Boom Operator:
Brian Courchine
Camera Operator:
Hassan Abdul Wahid
Carpenter:
Ana Weiss
Russell Entwistle
Casting Assistant:
Ariana Nicole George
Casting Associate:
Brett Duffy
Choreographer:
Kathryn Burns
Construction Coordinator:
Jason Fyrberg
Costume Assistant:
Kaya Randall
Jaimy A. Escobedo
Gavin DiFranco
Costume Design:
Natasha Landau
Rebecca Hofherr
Director:
Phil Traill
Director of Photography:
Jay Hunter
Dolly Grip:
Gus Margiotta
Driver:
Robert Varin Jr.
Kelly Tikiryan
Bruce Tartaglia
Domenic Restaino
Antonio Periquito
Scott Mundy
Keith Marvel
Chad Leach
Jessica Latinville
Ryan Lataille
Jessica Lapointe
Lance Imor
Ronald R. Harrison
Vincent Guertin Jr.
James Gorniewicz
Allie Furlong
James Carroll Jr.
Jean Camard-Smith
Stephan Atamian Jr.
Drone Operator:
John F. McCarthy
Michael Holzwarth
Editor:
Christian Hoffman
Executive In Charge Of Production:
Brittany Cope
Omar Camacho
Executive Producer:
Johnny Ryan Jr.
Phil Traill
Kevin Kopelow
Heath Seifert
First Assistant "A" Camera:
Zack Shultz
First Assistant "B" Camera:
Jamie Fitzpatrick
First Assistant "C" Camera:
Christian J. Hollyer
First Assistant Director:
Ross Novie
Gaffer:
Jesse Goldberg
Grip:
Bryan Corbett
Robert Biebel
Hair Department Head:
Yolanda Mercadel
Hair Setup:
Rebecca Serra
Key Hair Stylist:
Myeisha Wade
Key Rigging Grip:
Warren A. Weberg
Key Set Costumer:
Gianna Soprano
Lighting Technician:
Bert Mayer
Loader:
Mattie Hamer
Location Assistant:
George Lavoie
Makeup Artist:
Jacqueline Valega
Makeup Department Head:
Ashunta Sheriff
Music:
Oak Felder
Music Supervisor:
James Cartwright
Producer:
Shauna Phelan
Zack Olin
Kel Mitchell
Kenan Thompson
Production Assistant:
Emma Whiteside
Robbie Skaff
Benjamin Mohr
Maggie McKeown
Production Consultant:
Eric W. Thompson
Production Design:
Steven J. Jordan
Production Supervisor:
Joshua Youman
Property Master:
Heidi Koleto
Props:
Coco Roy
Rigging Gaffer:
Adam Peabody
Scenic Artist:
Hector E Rosales
Second Assistant "A" Camera:
Thomas Bellotti
Second Assistant Camera:
John F. McCarthy
Jeff Dickerson
Second Assistant Director:
Jacob Grubb
Set Decorating Coordinator:
Jake Swartz
Set Decoration:
Vanessa Knoll
Set Designer:
Anthony Raymond
Set Dresser:
Nathan Alexander Kirk
Set Dressing Manager:
John Pungitore
Set Production Assistant:
Taylor A. Bennett
Sound:
José Bartel
Sound Mixer:
Jason Fyrberg
Steadicam Operator:
BJ McDonnell
Storyboard Artist:
Jason Mayoh
Stunt Coordinator:
Shawnna Thibodeau
Stunt Double:
Joanne Lamstein
Elijah Akindolie
Stunt Driver:
Mark Pettograsso
John Vincent Mason
Danny Downey
Stunts:
Victoria Lee Parella
Supervising Art Director:
Samantha Gilbert
Transportation Captain:
Elan Berkovits
Transportation Co-Captain:
Augustino Mangione
Truck Costumer:
Lara F. Quinlan
Video Assist Operator:
Beau Turgeon
Visual Effects:
Josephine Allegretti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.