A work in constant progress (and occasional regress).
Release Date:
January 10, 1997
Original Title:
The Relic
Alternate Titles:
Das Relikt - Museum der Angst
Forbandelsen
La reliquia
Relikvija
Skrikene i Chicago
To apolithoma
Реликвата
Реліквія
เดอะ เรลิค นรกเดินดิน
Genres:
Horror | Mystery | Thriller
Production Companies:
BBC
Marubeni
Mutual Film Company
Pacific Western
Paramount Pictures
PolyGram Filmed Entertainment
TOHO-TOWA
Tele München
Production Countries:
Germany | Japan | United Kingdom | United States of America
Ratings / Certifications:
AU: MA 15+ CH: 16 CZ: 15+ DE: 16 GB: 15 HU: 16 SE: 15 US: R
Runtime: 110
A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2D Supervisor:
Cheryl Budgett
3D Animator:
Mike Amron
ADR Editor:
Christopher Assells
ADR Mixer:
Bob Baron
ADR Voice Casting:
Barbara Harris
Additional Editing:
Jeff Gullo
Aerial Coordinator:
Rick Shuster
Animal Coordinator:
Jim Brockett
Art Direction:
James J. Murakami
Eric W. Orbom
Assistant Accountant:
Michael Bilog
Assistant Art Director:
Gary Baugh
Assistant Camera:
Jeffrey P. Ackil
Assistant Chief Lighting Technician:
John 'Fest' Sandau
Assistant Editor:
Chris Jackson
Assistant Location Manager:
Bonnie Bott
Assistant Property Master:
Frank L. Brown
Boom Operator:
Raul A. Bruce
CG Animator:
Ido Gondelman
Camera Operator:
George Kohut
Camera Technician:
David Norris
Carpenter:
Bruce Richter
Casting:
Penny Perry
Casting Assistant:
Shaunda G. Jones
Character Designer:
Mark 'Crash' McCreery
Chief Lighting Technician:
Mark R. Lindberg
Choreographer:
Adam Shankman
John Alexander
Color Timer:
Phil Hetos
Conductor:
John Debney
Construction Coordinator:
Terry Scott
Construction Foreman:
Ciro Vuoso
Costume Design:
Daniel J. Lester
Costume Supervisor:
Elinor Bardach
Costumer:
Nancy Takehara
Craft Service:
Ronald E. Hairston
Creature Effects Technical Director:
Stan Winston
Dialogue Editor:
Neal J. Anderson
Digital Compositors:
Gregory Elwood
Digital Effects Supervisor:
John 'D.J.' Des Jardin
Director:
Peter Hyams
Director of Photography:
Peter Hyams
Dolly Grip:
John S. Robertson
Editor:
Steven Kemper
Electrician:
Ronald J. Pure Jr.
Executive Producer:
Gary Levinsohn
Mark Gordon
Extras Casting Assistant:
Johnny White
Extras Casting Coordinator:
Regina Prokop
First Assistant Camera:
Jeff Hand
First Assistant Director:
Jack Frost Sanders
First Assistant Sound Editor:
Robert Batha
First Company Grip:
Morgan Michael Lewis
Foley Artist:
Ken Dufva
Foley Editor:
Bob Beher
Foley Mixer:
Nerses Gezalyan
Foley Recordist:
Matt Colleran
Greensman:
Jeffrey Thomas
Grip:
David French
Hairstylist:
Susan Schuler-Page
Key Hair Stylist:
Judith A. Cory
Key Makeup Artist:
Stephen Abrums
Leadman:
Nigel A. Boucher
Lighting Technician:
Norman Ash
Location Assistant:
Kristin Dehnert
Location Manager:
Paul Pav
Modeling:
James Bancroft
Music Editor:
Tom Carlson
Negative Cutter:
Theresa Repola Mohammed
Novel:
Lincoln Child
Douglas Preston
Orchestrator:
Frank Bennett
Original Music Composer:
John Debney
Painter:
Lee J. Jashinsky
Payroll Accountant:
Michael Roccuzzo
Post Production Supervisor:
Sean T. Stratton
Producer:
Gale Anne Hurd
Sam Mercer
Production Assistant:
Debbie Silverman
Production Coordinator:
Stiles White
Production Design:
Philip Harrison
Production Illustrator:
Donna Cline
Property Master:
David J. Chamerski
Publicist:
Amanda Brand
Scenic Artist:
Michael Denering
Screenplay:
Amy Holden Jones
Amanda Silver
Rick Jaffa
John Raffo
Script Supervisor:
Barbara Thaxton
Sculptor:
Christoph Rittershausen
Second Assistant Accountant:
Jason S. Gondek
Second Assistant Camera:
Jennifer Bell
Second Assistant Director:
David Michael Katz
Second Second Assistant Director:
Scott H.C. Delsner
Set Costumer:
Joyce Kogut
Set Decoration:
John H. Anderson
Set Designer:
Linda A. King
Set Dressing Artist:
Mark Boucher
Sound Designer:
Tony Lamberti
Sound Effects Editor:
Peter J. Lehman
Sound Mixer:
Gene S. Cantamessa
Sound Recordist:
Alison Sanford
Special Effects Supervisor:
Garry Elmendorf
Special Effects Technician:
John J. Downey
Stand In:
Jeff Bruno
Steadicam Operator:
Stephen S. Campanelli
Still Photographer:
Richard Foreman Jr.
Storyboard Artist:
Tom Jung
Stunt Coordinator:
Brian Smrz
Stunt Double:
Will Leong
Dana Freitag
Stunt Driver:
Carl Paoli
Stunts:
Paul E. Short
Mark Harper
Dick Warlock
John Branagan
Richard E. Butler
P.K. West
Dean Raphael Ferrandini
Linda Fetters Howard
Rick LeFevour
Carol Neilson
Sunnie Merrill
Danny Lima
Michael Cassidy
Chere Rae
David Walling
Tim Gallin
Keith Woulard
Kay Whipple
May Boss
Jophery C. Brown
Walter Scott
Linda Perlin
Supervising Sound Editor:
Glenn T. Morgan
Technical Supervisor:
Josh Kirschenbaum
Transportation Captain:
Keith Dillin
Transportation Coordinator:
Robert Neilson
Utility Stunts:
Mitchell Dean
Video Assist Operator:
Cara Latzel
Visual Effects:
Rhonda C. Gunner
Visual Effects Coordinator:
Paul Taglianetti
Visual Effects Editor:
Clark Campbell
Visual Effects Producer:
Jennifer Bergman
Visual Effects Supervisor:
Gregory L. McMurry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.