A work in constant progress (and occasional regress).
Release Date:
March 25, 2023
Original Title:
Dalot
Genres:
Drama
Production Companies:
Productions Toboggan
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 21
Mist. Dust. A bowling alley in the crosshair of a thunderstorm. A pregnant woman, a businessman and a widower find shelter in its midst. Pins are knocked down until gloomy moths kindle an outage.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Kevin Tremblay
André Sauriol
Art Direction:
Marie-Andrée Brière
Assistant Camera:
Cloé Lafortune
Émilie Brousseau-Drouin
Assistant Director:
Samuël L. Jodry
Chief Lighting Technician:
Benjamin Gagné
Rachel Accolas
Camille Dubord-Gendreau
Cinematography:
Laura Torres
Color Grading:
Olivier Séguin-Dang
Costume Design:
Theodore Drusba
Laura Torres
Bibiana Zapata
Nury Olarte
Costume Set Supervisor:
Raphaëlle Cyr-Bayeur
Director:
Theodore Drusba
Editor:
Alexis Viau
Electrician:
Gabrielle Simard
Laurence Girard
Foley:
Christophe Voyer
Jacob Marcoux
Key Grip:
Evangelos Desborough
Dave Duong
Jess Lynch
Makeup & Hair:
Corinne Gaudreau
Eloïse Grenier-Carpintero
Music:
Sandro Guédy
Producer:
Theodore Drusba
Jean-Martin Bisson
Production Assistant:
Kevin Tremblay
Brandon Tran
Props:
Nadine Brière
Script:
Danyk Grenier
Florence Legault
Second Assistant Camera:
Laure Boyer
Karelle Goguen-Bancel
Sound Designer:
Christophe Voyer
Jacob Marcoux
Sound Mixer:
Christophe Voyer
Sound Recordist:
Rafaël Beauchamp
Marie-Soleil Trudel
Simon Roberge
Still Photographer:
Brandon Tran
Unit Production Manager:
Laurence Wells
VFX Artist:
Benjamin Gagné
Writer:
Theodore Drusba
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.