A work in constant progress (and occasional regress).
Release Date:
December 4, 1988
Original Title:
The Tenth Man
Alternate Titles:
Der zehnte Mann - Der Todeskandidat
Genres:
Drama | TV Movie
Production Companies:
CBS Entertainment Productions
Hallmark Hall of Fame Productions
MGM Television
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 GB: PG
Runtime: 100
During World War 2 the Germans arrested people at random off the streets of Paris and in retaliation to sabotage by the resistance announced the execution of one in ten prisoners. Chosen as one of the victims, lawyer Chavel trades his place with another man in return for all his possessions. At the end of the war he returns to his house and tries to integrate himself with the family of the man who traded places with him, all the while hiding his true identity. However matters are complicated when a stranger arrives claiming to be Chavel.
Art Direction:
Cliff Robinson
Assistant Costume Designer:
Valérie Adda
Associate Editor:
Maurie Beck
Boom Operator:
Chris Gurney
Camera Operator:
Martin Hume
Casting:
Priscilla John
Costume Designer:
Robin Fraser-Paye
Director:
Jack Gold
Director of Photography:
Alan Hume
Editor:
Millie Moore
Executive Producer:
William Self
Norman Rosemont
First Assistant Director:
Ray Corbett
Gaffer:
Gilbert Gallart
Key Grip:
Phillippe Chamenois
Key Hair Stylist:
Linda Catlin
Key Makeup Artist:
Didier Lavergne
Location Manager:
Bernard Cassus-Soulanis
Music Editor:
Tom Carlson
Novel:
Graham Greene
Original Music Composer:
Lee Holdridge
Producer:
William Hill
David A. Rosemont
Production Design:
Michael Stringer
Production Executive:
Elliot Friedgen
Production Manager:
Stella Quef
Production Supervisor:
Dorothy Marchini
Script Supervisor:
Cheryl Leigh
Second Assistant Director:
Catherine Joubé
Sound Mixer:
Thomas J. Huth
David Hildyard
Supervising Sound Editor:
Stephen Grubbs
Writer:
Lee Langley
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.