A work in constant progress (and occasional regress).
Release Date:
November 6, 2024
Original Title:
À toute allure
Genres:
Comedy | Romance
Production Companies:
Gaumont
Les grands espaces
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 86
She is a tactical submarine officer. He is a steward. Before diving for 90 days she chooses to make it her "four-hour". But here he is clinging. Who follows her. Who sticks it. Where do we go if the flight crew of a 747 prides itself on romance? As if we had time to be in love on board a military ship. Still, the Pacific Ocean is not big enough. Neither does the Arctic Ocean. The world is so small when you love each other so much.
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ADR Mixer:
Matthieu Dallaporta
Additional Camera:
Marie Demaison
Oscar Kurkjian
Mathieu Le Bothlan
Natacha Raymond
Additional First Assistant Camera:
Benoît Meignan
Assistant Camera:
Ariane Jeannesson
Boom Operator:
Mathieu Chatagnon
Guillaume Chevalier
Casting Director:
Tatiana Vialle
Costume Design:
Julie Miel
Digital Imaging Technician:
Maeva Drouin
Director:
Lucas Bernard
Director of Photography:
Alexandre Léglise
Editor:
Valentin Durning
Electrician:
Valentin Messé
First Assistant "A" Camera:
Stella Libert
First Assistant Camera:
Stella Libert
First Assistant Director:
Franck Morand
Gaffer:
Antoine Roux
Grip:
Théo Benavides-Nail
Léo Badani
Kevin Strauch
Key Grip:
Marc Wilhelm
Key Hair Stylist:
Jimmy Springard
Line Producer:
Marc Vade
Original Music Composer:
Christophe Danvin
Producer:
Guillaume Colboc
Sidonie Dumas
Florian Mole
Production Design:
Franck Schwarz
Production Manager:
Pascal Bonnet
Second Assistant Camera:
Noemie Commissaire
Sound Editor:
Fanny Bricoteau
Sound Mixer:
Simon Dumetz
Third Assistant Camera:
Emile Cadiergue
Writer:
Lucas Bernard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.