Home

The Thirteenth Floor (1999) [R]

Release Date:
April 16, 1999

Original Title:
The Thirteenth Floor

Alternate Titles:
A 13. emelet
Abwärts in die Zukunft
Nivel 13
The 13th Floor
The Thirteenth Floor
Trzynaste Piętro
サーティーンフロア
十三度凶兆
十三度凶間
异次元骇客

Genres:
Mystery | Science Fiction | Thriller

Production Companies:
Centropolis Film Productions
Columbia Pictures

Production Countries:
Germany | United States of America

Ratings / Certifications:
AR: 13  AU: M  BE: 16  BR: 16  DE: 12  ES: 12  FR: U  GB: 15  GR: 16  HU: 16  IE: 15  IS: 16  IT: 6+  JP: PG12  KR: 12  MY: 18SG  NL: 12  NO: 15  PH: R-13  PT: M/12  SE: 15  SG: NC16  US: R 

Runtime: 101

Question reality.

Overview from TheMovieDB

In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Dino DiMuro
Mary Ruth Smith

ADR Supervisor:
Dave McMoyler

Additional Music:
Thomas Wander

Aerial Coordinator:
Kevin LaRosa

Art Direction:
Frank Bollinger

Assistant Chief Lighting Technician:
Michael Bauman

Boom Operator:
Jonathan Fuh

CG Animator:
Haggi Floeser
Christian Haas

CGI Supervisor:
Carolin Quis

Camera Operator:
Chris Squires

Casting:
David Bloch
April Webster

Chief Lighting Technician:
Jon R. Tower

Choreographer:
David Frutos
Kim Clever

Co-Producer:
Kelly Van Horn

Color Timer:
Dana Ross

Construction Coordinator:
Robert A. Blackburn

Costume Designer:
Joseph A. Porro

Costume Supervisor:
Jean Rosone

Dialogue Editor:
Margit Pfeiffer

Director:
Josef Rusnak

Director of Photography:
Wedigo von Schultzendorff

Dolly Grip:
Mitchell Lookabaugh

Editor:
Henry Richardson

Executive Producer:
Helga Ballhaus
Michael Ballhaus

First Assistant Camera:
Brian W. Nordheim

First Assistant Director:
Kim H. Winther

First Assistant Editor:
Alexander Garcia

Foley Artist:
Jörn Poetzl

Foley Editor:
Pit Kuhlmann

Hair Department Head:
Katherine Rees

Hairstylist:
Virginia Kearns

Key Grip:
Tim Ryan

Makeup Artist:
Bobbi Baird

Makeup Department Head:
Thomas Nellen

Music Supervisor:
Peter Afterman
Randy Gerston

Negative Cutter:
Rick Downey

Novel:
Daniel F. Galouye

Original Music Composer:
Harald Kloser

Producer:
Roland Emmerich
Ute Emmerich
Marco Weber

Production Accountant:
Fran Lucci

Production Coordinator:
Cindy Franke

Production Design:
Kirk M. Petruccelli

Production Secretary:
Melissa Bargar

Production Supervisor:
Lisa Lynn Kearsley

Property Master:
Steven Melton

Screenplay:
Josef Rusnak
Ravel Centeno-Rodriguez

Script Supervisor:
Kim Berner

Second Assistant Camera:
Max Neal

Second Assistant Director:
Lars P. Winther

Set Costumer:
Annie Dunn
Deborah Slate

Set Decoration:
Victor J. Zolfo

Set Designer:
Evelyne Barbier
A. Leslie Thomas

Sound Effects Editor:
Andreas Musolff

Sound Mixer:
José Antonio García
Robert J. Anderson Jr.

Sound Re-Recording Mixer:
Hubert Bartholomae
Robert J. Anderson Jr.

Special Effects Coordinator:
John S. Baker

Steadicam Operator:
Chris Squires

Still Photographer:
Claudette Barius

Stunt Coordinator:
R.A. Rondell

Stunts:
Billy D. Lucas
Tommy J. Huff
Henry Kingi
Freddie Hice
Debbie Lynn Ross
Chad Randall
Matt McBride
Larry Rippenkroeger
Anthony T. Pennello
Fred Waugh
Thomas Robinson Harper

Supervising Art Director:
Barry Chusid

Supervising Sound Editor:
Hubert Bartholomae

Unit Production Manager:
Kelly Van Horn

Video Assist Operator:
Chris Wagganer

Visual Effects Editor:
Kosta Saric

Visual Effects Producer:
Christian Middelberg
Henning Raedlein

Visual Effects Supervisor:
Joe Bauer

Wig Designer:
Erwin H. Kupitz

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.