A work in constant progress (and occasional regress).
Release Date:
July 24, 1981
Original Title:
Eye of the Needle
Alternate Titles:
La isla de las tormentas
Neulansilmä
Nålen
以牙还牙
針の眼
Genres:
Drama | Thriller
Production Companies:
Juniper Films
Kings Road Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 12 NL: 12 PT: M/14 US: R
Runtime: 108
Great Britain, 1944, during World War II. Relentlessly pursued by several MI5 agents, Henry Faber the Needle, a ruthless German spy in possession of vital information about D-Day, takes refuge on Storm Island, an inhospitable, sparsely inhabited island off the coast of northern Scotland.
Art Direction:
John Hoesli
Bert Davey
Assistant Director:
Roger Simons
Assistant Editor:
Nick Hosker
Camera Operator:
Alec Mills
Casting Director:
Celestia Fox
Construction Manager:
Ken Pattenden
Ken Softley
Continuity:
Angela Allen
Valerie Booth
Costume Designer:
John Bloomfield
Dialogue Coach:
Jennifer Patrick
Director:
Richard Marquand
Director of Photography:
Alan Hume
Editor:
Sean Barton
Focus Puller:
Mike Frift
Gaffer:
Bob Bremner
Hairstylist:
Mark Nelson
Joan Carpenter
Location Manager:
William Lang
Lee Bolon
Makeup Artist:
Wally Schneiderman
Beryl Lerman
Novel:
Ken Follett
Original Music Composer:
Miklós Rózsa
Producer:
Stephen J. Friedman
Production Design:
Wilfred Shingleton
Production Manager:
John Comfort
Production Supervisor:
Claude Hudson
Screenplay:
Stanley Mann
Second Unit Cinematographer:
Jack Lowin
Second Unit Director:
Anthony Squire
Set Decoration:
Hugh Scaife
Sound Re-Recording Mixer:
Gerry Humphreys
Sound Recordist:
Claude Hitchcock
Special Effects Supervisor:
George Gibbs
Still Photographer:
David Farrell
Stunt Coordinator:
Eddie Stacey
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.