A work in constant progress (and occasional regress).
Release Date:
October 27, 2022
Original Title:
Caraoscura
Genres:
Fantasy | Horror
Production Companies:
Eye Slice Pictures
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 10
In a cold January evening, Caraoscura wanders around the streets of a secluded village. Little Carla awakes scared. Lucas, her older brother, tries to calm her and convince her that Caraoscura isn't real, but little did they know that the story conceals a a reality so terrifying that they never imagined before.
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Art Direction:
Laura Lostalé
Assistant Art Director:
Ana Cobos Molina
Assistant Makeup Artist:
Andrea Gómez
Associate Producer:
Inge Vela
Carlos Moriana
Camera Operator:
Daniel Gil
Cinematography:
Ignacio Aguilar
Costumer:
Almudena Bretón
Digital Imaging Technician:
Alejandro San Emeterio
Director:
Raúl Cerezo
Germán Sancho
Drone Pilot:
Claudia Romeo Gurrea-Nozaleda
Editor:
Bruno Martín
Electrician:
Marina De Tena
Berta Santamaría
Executive Producer:
Sofía P. Jordán
First Assistant Camera:
Félix Botello
First Assistant Director:
Alejandro Umansky San Martín
Gaffer:
Gerardo Pinel
Grip:
Javier Linares
Head of Production:
Ely G. Calabria
Makeup Artist:
Pablo Marugán
Music:
Joan Vilà
Producer:
Germán Sancho
Helion Ramalho
Raúl Cerezo
Production Assistant:
Paula Brown
Production Manager:
Sofía P. Jordán
Script Supervisor:
Rodrigo Santamaria
Sculptor:
Alberto Alber
Second Assistant Camera:
Ainhoa Sawatzky
Second Assistant Director:
Óscar Rivas
Set Dresser:
Haizea Escudero Olloquiegui
Gino Pavone García
Sound Mixer:
Maxi Adeva
Jorge García
Visual Effects:
Zoltán Farkas
Writer:
Javier Trigales
Germán Sancho
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.