A work in constant progress (and occasional regress).
Release Date:
September 1, 2022
Original Title:
Salvatore Adamo, ma vie, la vraie
Genres:
Documentary | Music
Production Companies:
A Prime Group
Kuiv Productions
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 60
He has sold 120 million albums since 1960, that is to say more than 60 years of career and more than 7000 concerts all over the world, but Salvatore Adamo remains humble, concerned about others, his family and his public. Can one write a story with so many good feelings? Without a doubt, he brings to those who follow him always a deep peace and joy. In this documentary, Salvatore Adamo tells the story of his career and his special relationship with his audience. To the sound of his most beautiful melodies, he confides without taboo on his musical journey, his inspirations and his musical and artistic universes in a broad sense.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.