A work in constant progress (and occasional regress).
Release Date:
May 22, 2018
Original Title:
Happy Days
Genres:
Comedy
Ratings / Certifications:
N/A
Runtime: 16
Happy Days is based on the true events of the CIA’s involvement in the adult film industry in L.A. The story follows a director as he is recruited in 1959 to make a "special" film for the CIA, (Code Name: “Operation Happy Days”). A wild, crazy and yet unbelievably true story of a CIA black-ops that spins a tale of intrigue, sex and the underbelly of the film industry.
Art Direction:
Beth Green-Armytage
Camera Operator:
Mark Wiggins
Cinematography:
Mari Yamamura
Costume Design:
Anna Bevan
Director:
Andy Hui
Editor:
Christopher Hill
First Assistant Camera:
Steven Fairman
Music:
Tommy Antonio
Producer:
Andy Hui
Christopher Hill
Second Assistant Camera:
Sergejs Bozoks
Set Costumer:
Anna Bevan
Steadicam Operator:
Mark Wiggins
Writer:
Andy Hui
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.